Rachel Beth Abrams
untitled (paper water III), 2016
paper, ink, paraffin on vellum, 5 13/16 x 7 3/8 in.
Rachel Beth Abrams
untitled (paper water V), 2016
paper, ink, paraffin on vellum, 5 13/16 x 7 3/8 in.
Rachel Beth Abrams
untitled (ancient trapped seas XV), 2015
colored pencil, paper, 7 x 11 in.
Rachel Beth Abrams
untitled (proximal causes I), 2015
paper, paraffin on matte board, 5 x 7 in.
Golnar Adili
The Sound of the Alone Vowels, 2009
transfer on paper, medical tape, graphite, 36 x 48 in.
Golnar Adili
From Heart, 2008
museum board strips hand-cut and layered, 13 x 13 x 10 1/4 in.
Seongmin Ahn
Portrait of Peony (blue pair), 2013
ink and color on mulberry paper, 41 x 27 in.
Seongmin Ahn
Room for Meditation, 2001
installation of watercolor on mulberry paper, 36 x 96 x 18 inches
Diana Al-Hadid
Bouncing Echoes into the Tunnel through the Earth, 2006
fiberglass, wood, paint, sand, flock, tulle, 73 x 64 x 64 in.
Diana Al-Hadid
Spun of the Limits of My Lonely Waltz, 2006
wood, polystyrene, plaster, fiberglass, 73 x 64 x 64 in.
Elia Alba
If I Were A..., 2003
photocopy transfer over muslin, acrylic and thread, Lenth of each suit- 65 inches
Elia Alba
Multiplicities, 2002
plexiglass, photocopy transfer over muslin and thread composed of 1800 unique heads, each tower- 78 x 18 x 18 inches
Elia Alba
Dollheads, 2001
photocopy transfer over muslin, thread
composed of over 200 life-size unique heads
Cynthia Alberto
Brunnbauer Bliss, 2008
yarn, nylon threads, woven on floor loom, 6 x 28 in.
Simon Aldridge
Hot Fun in the Summertime, 2001
plastic rod, fishingline, celing panel, paint, 96 x 96 x 96 inches
Simon Aldridge
Wallride to Corner, 2001
spraypaint on polycarbonate and aluminum, 96 x 288 x 29 inches
Rebecca Aloisio
III Imagined Relics Series, 2014
monoprint and paint on paper, 60 x 78 in.
Rebecca Aloisio
IIII Imagined Relics Series, 2014
monoprint and paint on paper, 60 x 78 in.
Francisco Alvarado-Juarez
Mexico en el Corazon; Para Lucas, 1995
mixed media, 576 x 600 x 144 inches
Francisco Alvarado-Juarez
Reindeer: Trophy #6, 1989
acrylic on plywood, with wood slabs and branches, 101 x 48 x 15 inches
Francisco Alvarado-Juarez
Wild Goat: Trophy #7, 1989
acrylic on plywood, with wood construction, 97 1/4 x 62 x 11 inches
Emma Amos
Let Me Off Uptown, 2000
oil and photo transfer onlinen with African fabric borders, 80 1/2 x 78 in.
Emma Amos
Does Black Rub Off?, 1999
oil and photo transfer on linen with African fabric borders, 90 x 56 in.
Miya Ando
Fudo 2 [Immovable, Unchanging], 2012
hand dyed anodized aluminum, 24 x 24 x 1 in.
Miya Ando
Shinobu [Zendo], 2010
14 gauge cold-rolled steel, layered metal finishing techniques: heat/fire/torchwork, patina, pigment, hand sanding, automotive lacquer, 60 x 60 in.
Miya Ando
Temporal [Meditation 2], 2010
aluminum, sublimation printing, metal finishing, lacquer, 36 x 36 in.
Kenneth Aptekar
I Find Myself, 2000
oil on wood, sandblasted glass, bolts, four panels, 60 x 60 inches
Text in Glass: I find myself looking for angels as I contemplate loss. Of what use is imagination?
Kenneth Aptekar
Loved, 2000
oil on wood, sandblasted glass, bolts, four panels, 120 x 30 inches
Text in Glass: "The hand holding the hair? It's a gentle, almost loving touch," Christina Shaw tells me, "an encouragement. You can see the suffering in the girl looking out, maybe from a long-term illness or from something much deeper than that. There's
Kenneth Aptekar
Job Security, 1991
oil/wood, sandblasted glass, bolts, 30 x 60 inches
Diptych
Kenneth Aptekar
Ifs, Ands, and Buts, 1990
oil/wood, sandblasted glass, bolts, 30 x 30 inches
Elliott Arkin
Fountain (A Peaceable Kingdom), 2011/2013
Aqua resin, outdoor acrylic paint, electric water pump, rubber hose, inflatable kiddie pool, iron plumbing fixture, rubber duckies, 40 x 44 x 39 in.
Elliott Arkin
Seed Sower (A Peaceable Kingdom), 2011/2013
Aqua resin, outdoor acrylic paint, 33 x 20 x 15 in.
Elliott Arkin
The Physical Impossibility of Death in the Mind of Someone Living (The Peaceable Kingdom), 2011/2013
Aqua resin, outdoor acrylic paint, hand shovel, 26 x 28 x 18 in.
Elliott Arkin
Seedbed (A Peaceable Kingdom), 2010
Aqua resin, outdoor acrylic paint, antique lawn edger, 28 x 45 x 12 in.
Kenseth Armstead
Untitled (future dictionary), 2019
electric fencing cable and metal hanger wire, 114 x 72 in.
Kenseth Armstead
Master Work: Slaves of New York 1776, 2018
wood, bees wax, encaustic, perforated steel, tar & feathers, 10 x 50 x 12 feet
Kenseth Armstead
Washington 20/20/20, 2018
perforated steel, angle iron, wood, enamel paint, tar & feathers, 12 x 12 x 8 feet
Kenseth Armstead
Washington 20/20/20, 2018
perforated steel, angle iron, wood, enamel paint, tar & feathers, 12 x 12 x 8 feet
Sanda Aronson
Travel by North Light, 1988
mixed media, 6 1/2 x 12 x 4 inches
assemblage sculpture, view one
Michael Ashkin
The Silver Point is the end of the Road, 1996
mixed media, 216 x 96 inches
Shimon Attie
ALL OF ONE'S FEARS, 2014
Two on-location custom made light boxes,sited between Synagogue and ruins of former Masque attacked by rioting Israelis during second Palestinian Intifada, Tel Aviv, 15 x 48 inches and 15 x 80 inches
Shimon Attie
LAND LORD, 2014
Two on-location custom made light boxes, looking onto Israeli settlement Har Homa from Palestine Village Umm Tuba, annexed by Israel in 1967, 15 x 48 in.
Shimon Attie
PART OF THE PLAN, 2014
Two on-location custom made light boxes, looking onto occupied West Bank from Mount Scopus, Jerusalem, 15 x 48 inches and 15 x 90 inches
Shimon Attie
UNLIKE EUPHORIA, 2014
two on-location custom made light boxes, Rabin Square (site of assassination of Israeli Prime Minister Yitzchak Rabin), Tel Aviv, 15 x 48 in.
Tina Aufiero
Appearances, 1991
red feathers and chicken wire, 96 x 36 inches
from the two person exhibition "Fearful Symmetry"
Tina Aufiero
The Menagerie, 1991
feathers, wire and latex rubber
a group installation of sculptures
Ilan Averbuch
Divided World, 2000
stone, cast iron, steel, water, 20' x 22 1/2' x 24'
second view
Helène Aylon
The Last Supper/Names, 2002
Digitally altered photograph, silkscreen, canvas, 93 x 56 inches
Helène Aylon
The Partition is in Place, But The Service Can't Begin, 2001
metal racks, thread, ritual male garb (Tsitsit), 21' W x 2' D x 6' H
Helène Aylon
Untitled, 1995-1996
cone, bean, foliage, lilypad, 6' H
Transparancies, 4 of 30
SoHyun Bae
A Woman of Josun Dynasty: Colossal Head V, 1998
pencil, rice-paper, fabric on paper, 81 x 81 inches
Xenobia Bailey
Bit by Bit, Little by Little, 2001
cotton and acrylic yarn crochet, 94 x 57 inches
Jan Baracz
On The Money, 2004
336 rubrics' cubes in plexiglass case, 48 x 63 x 3 1/2 inches
Jan Baracz
Sandbox 1.0, 2004
wooden sctructure, paint, sand, 216 x 216 x 24 inches
Installation at The Contemporary Art Centre, Warsaw, Poland
Jan Baracz
Life is Short, 2001
swing seat, manila rope, 42 inches
Installation at ART UNLIMITED, Basel, Switzerland
Jim Barden
Maquette for an untitled viewing corridor to be sited on its longitudinal axis between two trees, one deciduous and one evergreen., 1989
concrete, 9 x 31 x 6 3/4 inches
Jim Barden
The Instantaneous Present, 1989
acrylic lacquer on plaster, 9 1/2 x 10 x 7 1/2 inches
Alisa Baremboym
Porous Solutions, 2013
ceramic, custom webbing, hardware, gelled emollient, mylay, archival pigments on silk, magnets, bent steel, 50 x 15 x 20 in.
Alisa Baremboym
Leakage Industries: Clear Conduit, 2012
Gelled emollient, unglazed ceramic, usb cable with gender changers, flash drive, hardware, 40 x 32 x 48 in.
Alisa Baremboym
Leakage Industries: Soft Screw, 2012
Galvanized steel, glazed ceramic, gelled emollient, auger worm, silk gauze, hardware, 37 x 60 x 12 in.
Jill Baroff
New York Harbor (August 12 - September 11, 2021), 2021-2022
pigmented ink on Japanese gampi mounted on rag, 31 drawings, 16 x 16 inches each
Jill Baroff
New York Harbor (August 12 - September 11, 2021) (detail), 2021-2022
pigmented ink on Japanese gampi mounted on rag, 31 drawings, 16 x 16 inches each
Jill Baroff
Hurricane Zeta, 2021
pigmented ink on Japanese gampi mounted on rag, 44 x 44 in.
Jill Baroff
Hamburg Tide Circle Suite, 2014-2015
pigmented ink on Japanese gampi mounted on rag, 5 drawings, 41 x 41 inches each
Lisa Bateman
Next Year, 2012-2014
installation - offset print on newsprint broadsheet 141 pages, reading magnifier, chain, furniture, dimensions variable
Eastern State Penitentiary
Lisa Bateman
Wetlands-Mausolea, 2010-2011
photos, brass frames, site-specific installation, dimensions variable
81 8th Avenue, The Savings Bank of New York
Rachel Beach
Dart, Nod, Steeple, Pivot, 2012
acrylic, enamel and screenprint on veneered plywood, reclaimed wood, 60 x 10 x 27 in.
Jack Beal
Settlement (18th Century Labor Mural), 1974 - 1977
oil on canvas, 146 x 150 inches
Jack Beal
Technology (20th Century Labor Mural), 1974 - 1977
oil on canvas, 146 x 150 inches
John Beech
Small Rolling Platform, 1998
plywood, casters, rubber, enamel, 12 x 9 x 3 1/2 inches
John Beech
Small Rolling Platforms, 1998
plywood, casters, rubber, enamel, 12 x 9 x 4 inches
Zigi Ben-Haim
Mechanical Organism, AL-155, 1992
oil on aluminum and wire mesh, 82 x 63 inches
Susan Benarcik
Mental Notes, 2008
book page, copper wire
Installation, Maiden Lane Exhibition Space
Susan Benarcik
Mental Notes, 2008
book page, copper wire
Installation, Maiden Lane Exhibition Space
Lisa Bennett
Diorama After 17th Century Dutch Cabinet, 1998
pen, ink, watercolor on bristol, 20 3/8 x 35 1/2 inches
Amel Bennys
No Standing Anytime, 2016
acrylic, pastel, aluminum powder on canvas, 170 x 250 cm
Amel Bennys
Installation view: J/Z Train to Jamaica, 2016 and Just Friends, 2016
acrylic, pastel, aluminum powder on canvas, J/Z Train to Jamaica: 170 x 236 centimeters
Just Friends: 170 x 250 centimeters
Amel Bennys
Installation view: No Standing Anytime, 2016 and One more Time (series of ten paintings), 2016
acrylic, pastel, aluminum powder on canvas, No Standing Anytime: 170 x 250 centimeters
One more Time: 58 x 43 centimeters
Jesse Bercowetz
Media, Swami Bondage, Weekend Query and the Night-Time Soak
mixed, 85 x 100 x 36 in.
Jesse Bercowetz
Some Times Nothing Keeps Me Together at the Seams, 2008
Mixed Media (wood, metal, polystyrene, foam core, plaster, resin, glass, wire, collage, acrylic paint), 12? H x 9? W x 18? L
Commissioned by The Brooklyn Academy of Music, NYC; Curated by Dan Cameron
Jonathan Berger
Portrait of Andy Kaufman, 2009
found ephemera, Andy Kaufman's personal possessions from the collection of Lynne Margulies, 2 x 2 x 3 feet (display case dimensions)
installation detail: Kaufman's transcendental meditation materials
Jonathan Berger
Untitled (rear detail of floor construction flood light), 2008
tin, brass, permanent marker, miniature light bulbs and wiring, Floor construction floodlight frame: 1 x 2 feet
Susan Berger
Superior Ink Draped for Destruction: In Sketch, 2009
fiber construction, 24 x 30 x 1 1/2 in.
Elena Berriolo
Maria Callas, 2014
watercolor, sewing machine thread, and ink, 16 x 8 1/2 in.
Elena Berriolo
Partita in D minor, 2014
watercolor, sewing machine thread, and ink, 16 x 8 1/2 in.
Elena Berriolo
Various Music for a while, 2013
watercolor, sewing machine thread, and ink, 16 x 8 1/2 in.
Norma Bessouet
Winds of a Imaginary Night, 1997
oil on linen laid down on wood, 28 x 20 inches
Doug Beube
Shifting Borders, 2014
Altered atlas, collage, gouache, 12 1/2 x 11 3/4 x 11 1/2 in.
Doug Beube
Shifting Borders (Detail), 2014
Altered atlas, collage, gouache, 12 1/2 x 11 3/4 x 11 1/2 in.
Doug Beube
Dis/connecting the Reality of Old Glory, 2010-2013
Altered book, collage, gouache, ink, graphite, dyed zippers, 12 x 37 x 11 in.
Doug Beube
Dis/connecting the Reality of Old Glory (Detail), 2010-2013
Altered book, collage, gouache, ink, graphite, dyed zippers, 12 x 37 x 11 in.
Willie Birch
August Day, 2004
charcoal, acrylic, fixative on paper, 60 x 128 inches
diptych
Willie Birch
Cutting the Body Loose, 2004
charcoal, acrylic, fixative on paper, 60 x 200 inches
four panels
Dara Birnbaum
Quiet Disaster, 1999
Installation - 3 plexiglass panels with duratrans prints, Each panel is 4' in diameter
Dara Birnbaum
Hostage, 1994/2010
Installation - 6 channel color video with 6 channels of stereo audio; 4 plexiglass target/shields; inter-active last component, Approximately 36 feet long; plexiglass pantels each 2' x 2' x 3/4"
Colleen Blackard
Abandoned but Beautiful (Detail), 2014
archival marker on paper, 48 x 60 in.
Julia Bland
Sharp Edge of the Sky, 2023
hand woven and dyed textiles, linen, wool, canvas, bed sheets, my blue shirt, place mats, fabric dye, oil paint, 115 x 96 in.
Julia Bland
Squat, 2023
hand woven and dyed textiles, cotton, linen, fabric dye, bed sheets, my blue shirt, oil paint, 115 x 120 in.
Julia Bland
At Dawn, The Shore in Your Eyes, 2020
hand woven linen and wool textiles, hand felted wool, linen and wool threads, linen fabric, found upholstery fabric, oil paint, 114 x 142 1/2 in.
Julia Bland
Canyon, 2020
hand woven linen textile, hand dyed linen, denim, canvas, silk, hand dyed Hudson Bay coat and lining, linen and wool threads, ink, oil, paint, 119 x 83 in.
Isidro Blasco
Courtyard, 2008
c-print, museum board, wood, hardware, 144 x 108 x 36 inches
Chris Bogia
(Untitled) Plants Vs Zombies, 2016
watercolor and pencil on paper, 10 x 14 in.
Krystyna Borkowska
Yellow Silver Horizontal, 2000
acrylic on canvas, silver leaf extended on wall, 95 x 10 inches
Krystyna Borkowska
Blue Silver Horizontal Line, 1999
acrylic on canvas, silver leaf, 140 x 30 inches
Nina Bovasso
Kermis, 2013
acrylic, watercolor, gouache and ink on rice paper, 38 x 55 in.
Frank Bowling
Camillelove (Pandora's) Box, 1997
acrylic on canvas, 62 1/2 x 39 1/2 inches
Carrie-Ann Bracco
Madre de Dios, Blue Landscape with Minero Camp, 2009
oil on panel, 12 x 6 in.
Dove Bradshaw
Salt, Half Heard, 1996, 2004
Tibetan salt, 1000ml pyrex dropping funnel, water
For the Missing Peace, The Dalai Lama Portrait Project
Michele Brody
Seeing Below from Above, 2002
copper pipe, plexiglass, hand-made paper, grass seeds, water, 102 x 60 x 72 inches
installation
Michele Brody
Culantro En/Agua, 2001
lace sewn into horizontal pockets stuffed with cilantro, lights, steel, 8.5' x 8' diameter
Fredrick Brosen
Broadway and 22 Street, 2004
watercolor on paper over graphite, 44 x 32 inches
Jude Broughan
Compact, 2014
archival inkjet print, polyester, gel medium, vinyl, walnut frame, thread, 27 1/2 x 22 in.
Jude Broughan
Neon Rendering, 2014
archival inkjet print on scrim vinyl, polyester, stretchers, gesso, gel medium, acrylic paint, acrylic rods, 66 x 42 in.
Jude Broughan
Riverside, 2014
polyester, archival inkjet print on scrim vinyl, wood, paint, gel medium, brass grommets, 149 x 120 in.
Jude Broughan
Stage, 2014
archival inkjet print, polyester, gel medium, vinyl, white lacquer frame, thread, 21 3/4 x 21 3/4 in.
Kathy Bruce
Homage to Neruda, 2008
scavenged recycled driftwood on rock base, 96 x 48 x 120 inches
The Nature Conservancy/ Andy Warhol Preserve, Montauk Beach, Long Island, NY
Kathy Bruce
Earth Maiden, 2007
bamboo, raffia, recycled wood, grass, live shrub, 216 x 60 x 480 inches
Tom Brydelsky
Balance, 2016
oil, collage and encaustic on wood, Diptych: one panel 60 x 36 inches, one panel 60 x 24 inches, overall: 60 x 60 inches
Tom Brydelsky
Move Yourself, 2015
oil, collage and encaustic on wood, Diptych: 60 x 72 inches
Robert Buck
iPainting (186230889), 2016
alert reflective coating and acrylic on canvas (pictured here with the flash of a camera), 42 x 42 x 1 1/2 in.
Robert Buck
At the End of the Day... (Columbine High School, Columbine, CO, April 20, 1999), 2014
Giclee print and synthetic polymer on canvas, 54 x 81 x 1 1/2 in.
Robert Buck
At the end of the Day... (Sandy Hook Elementary School, Newtown, CT, December 14, 2012), 2014
Glclee print and synthetic polymer paint on canvas, 54 x 54 x 1 1/2 in.
Robert Buck
The Letter! The Litter! ("I Want the Gam...Too"), 2014
acrylic paint on store bought fabric, 66 x 50 x 1 1/2 in.
Phong Bui
Ode to Ho Chi Minh City, 2012
gouache, watercolor, oil crayon, white-out, with collage element, 15 x 22 1/2 in.
Phong Bui
Yes, 2011
gouache, watercolor, oil crayon, white-out, with collage element, 15 x 22 1/2 in.
Kathe Burkhart
Bastaard: From the Liz Taylor Series (Publicity still), 2020
acrylic, temporary tatoos, and decorative paper on linen, 393 x 210 cm
Kathe Burkhart
Fucked: From the Liz Taylor Series (Publicity still), 2020
acrylic and body jewelry on canvas, 95 x 80 cm
Kathe Burkhart
Sick Puppy: From the Liz Taylor Series (Candid shot), 2019
acrylic and temporary tatoos on linen, metal fence, cable ties, 200 x 200 cm
Kathe Burkhart
How Much More Can Liz Take?: From the Liz Taylor Series (Photoplay Magazine), 2017
acrylic on paper, 170 x 134 cm
Tiffany Calvert
Untitled (917 Chair), 2009
oil and spraypaint on canvas, 22 x 28 in. (55.9 x 71.1 cm)
Tiffany Calvert
Untitled (Orange with Cloud), 2009
oil and spraypaint on canvas, 48 x 60 in. (121.9 x 152.4 cm)
Beth Campbell
Crashing Tables (Moments Crashing...I Underestimated the Consequences), 2005
balsa wood, 36 x 36 x 144 in.
Paul Campbell
Projection Series No. 11 (Red, Yellow), 2004
oil and wax on canvas, 72 x 72 in.
Paul Campbell
Car Series 15.1, Day and Night, 1999
oil and wax on canvas panel, 96 x 144 in.
Rimer Cardillo
Lost Forest Reliquary, 1989
wood, paper relief, pigments, plexiglass, 29 x 23 x 13 in.
Rimer Cardillo
Memorial Diptych, 1989
wood, cast iron, lead, handmade paper, duck fat, wax, 72 x 96 x 30 in.
Ana Cardoso
Fold (Pentaptych), 2018
acrylic on cotton; Ultrachrome pigments on silk, three canvases 16 x 16 inches eachtwo triangular canvases 16 x 16 x 22 inches each
Ana Cardoso
Multisample (triptych), 2017
acrylic on unprimed cotton and linen, 66 x 60 inches overall
One canvas: 66 x 16 inches; two triangular canvases 31 x 31 x 44 inches
Ana Cardoso
Partitioned landscape Drift, 2017
acrylic on sewn cotton and linen, Twenty two canvases, variable dimensions; wall dimension for reference: 236 x 380 inches
Ana Cardoso
Recto-Verso (Fold) (triptych), 2017
acrylic on unprimed cotton and linen, 88 x 44 inches overall
Two square canvases: 31 x 31 inches; one triangular canvas 31 x 31 x 44 inches
Mary Ellen Carroll
A Fake Hare Has 24 Gold Teeth; foreground: Next Time With Jacky, 2016
background: painted canvas, foreground: paint on wood, 3 wheel motorcycle with trailer, background: 30.66 meters x 1 meter x 15 meters
foreground: 2 meters x 1 meter x 1 meter
Mary Ellen Carroll
Next Time With Jacky, 2016
paint on wood, 3 wheel motorcycle with trailer, 2 meters x 1 meter x 1 meter
Mary Ellen Carroll
No. 18 - Sculpture Garden Installation, 2012 - ongoing
metal/plants, 1 meter x 1 meter x .5 meter
Bradley Castellanos
Window Tree, 2011
oil, acrylic, and photo collage on panel, 61 x 48 in.
Bradley Castellanos
Retreating, 2009
oil, acrylic, photo collage, and resin on panel, 61 x 48 in.
Liset Castillo
Pain is Universal but So is Hope - White, 2007
c-print on aluminum, 70 x 92 in. (177.8 x 233.7 cm)
Juliana Cerqueira Leite
Blind Spot, 2015
Aquaresin, glass fiber, steel, pigment, clay, 84 x 80 x 80 inches
installed at Lustwarande '15, Tiiburg, Netherlands
Juliana Cerqueira Leite
Curl 2, 2013
Plaster, fabric, glass fiber, steel, 27 x 20 x 23 in.
Juliana Cerqueira Leite
Oh, 2010
Latex rubber, muslin, eco-packing materials, 72 x 72 x 84 in.
Amelie Chabannes
2012
traditional gesso, transferred graphite on vandalized wood panel, 30 x 40 in.
Amelie Chabannes
Double Portrait, Genesis, Jaye and a Left Hand, 2012
traditional gesso, transferred crayon on vandalism on wood panel, 16 x 20 in.
Amelie Chabannes
Double Portrait, Marina, Ulay and a Fourth Hand #2, 2012
traditional gesso, transferred graphite on vandalized wood panel, 40 x 50 in.
Lishan Chang
LC Space, 2007
recycled wooden poles, trees, plastic stretch wrap, dimensions variable
Lishan Chang
The Wave Maze, 2007
recycled wooden poles, plastic stretch wrap, 1115 x 1115 meter site
Darlene Charneco
Whiteweave Touchmap, 2015
nails, resin, enamel, acrylic on wood, 48 x 48 in.
Darlene Charneco
Prayerweave With Telephone, 2014
nails, resin, enamel, acrylic on wood, 24 x 24 in.
Darlene Charneco
Whiteweave (Detail), 2009
nails, resin, enamel, acrylic on wood, 24 x 24 in.
Darlene Charneco
Sitemap (Memorypalace), 2007
resin, nails, mixed media on wood, 9 parts: 24 x28 inches overall
William Childress
Exemplary Roles: Self Moved Mover, 2005
steel wire, 135 x 120 in.
detail
William Childress
1 or 2 True Testimonies, 1995
film, photo, mixed media version, 144 x 96 in.
William Childress
Notes on "A Note Upon the Mystic Writing - Pad", 1983
mixed media, 135 x 120 in.
Sung-Ho Choi
Quilt Road, 2004
acrylic paint on canvas, 20 1/2 x 204 1/2 in. (52.1 x 519.4 cm)
Ray Ciarrocchi
Fertile Valley - Montagna Dei Fiori, 2010
oil on linen, 48 x 56 in. (121.9 x 142.2 cm)
Ray Ciarrocchi
Italian Landscape - Evening, 2009 - 2010
oil on linen, 48 x 56 in. (121.9 x 142.2 cm)
Stephen Cimini
The Beauty of Subtraction, 2002
oil, wax, marble dust on canvas, 22 x 28 in.
James Clark
Untitled, 2010
enamel paint, electroluminescent light wire, oil paint and metal, 10 x 6 1/2 x 7 in.
Nancy Clark
Elephant on Parade, 2005
canvas, wire, acrylic, leather and bamboo, 7 x 7 x 14 in.
Ursula Clark
Dreammaker, 1992
birch hay, wire, 24 inches in diameter x 15 inches x 8 inches
Lauren Clay
Nose Gaze, 2017
Flashe, paper pulp, plaster, papier-mâché, wood, 46 x 56 x 6 inchesInstallation view of sculptures with wall installation
Lauren Clay
Upward flying lock, 2017
Flashe, paper pulp, plaster, papier-mâché, wood, 49 x 35 x 4 inchesInstallation view of sculptures with vinyl wall installation
Tricia Cline
Pope Tricksie and the Wolves, 2008
porcelain, 17 x 16 x 13 in. (43.2 x 40.6 x 33 cm)
Gregory Coates
Triple Blue, 2000
oil, pigment on inner tubes and wood skid, 18 x 18 inches
Gregory Coates
Wyn Loving's Chair, 1999
oil, pigment on inner tubes on wood skid, 18 x 18 inches
Barbara Cohen
Moving On, 2007-10
motorized conveyor belt, metal base, graphite drawn on ping pong, 48 x 48 x 36 inches
Barbara Cohen
Moving On, 2007-10
motorized conveyor belt, graphite drawn on ping pong, 48 x 48 x 36 inches
Cora Cohen
#2-97, 1997
acrylic, copper, graphite, pencil on wall paper, 19 1/2 x 23 1/2 in.
Cora Cohen
Local Objects, 1996
acrylic, aluminum, enamel, graphite, pastel, pigment, polyurethane on muslin, 20 x 13 in.
Jennifer Paige Cohen
Shoulder Pad and Teardrop, 2015
shirt, plaster, lime plaster, 23 x 12 1/2 x 9 in.
Jennifer Paige Cohen
Shoulder Pad and Teardrop (alternate view), 2015
shirt, plaster, lime plaster, 23 x 12 1/2 x 9 in.
Jennifer Paige Cohen
Black and White Arm and Shield, 2014
sweater, plaster, stucco, lime plaster, 23 x 30 x 11 in.
Jennifer Paige Cohen
Pale Green Arm and Shield, 2014
shirt, plaster, lime plaster, 21 1/4 x 17 x 10 in.
Vicky Colombet
Dialogue #32, 2012
charcoal and pigment on vellum - ink on paper, 22 x 29 in.
Michael Combs
How the West Won (Adam), 2012
cedar, brch branches, and antlers, 12 x 12 x 16 in.
Michael Combs
Minds that Matter, 2012
carved linden wood, resin, and paint, 9 x 27 x 20 in.
Russell Connor
The Prophet Sees the Future (Michelangelo/Koons), 2011
oil on canvas, 40 x 30 in.
Diana Cooper
Focus, 2017
Paper, charcoal, pencil, handmade paper, prints, metallic paper, ink, acrylic, 47 1/2 x 80 x 3 in.
Diana Cooper
Turf, 2012-13
acrylic, felt, ethylene vinyl acetate, corrugated plastic, map pins, astroturf, metal hardware, prints, 88 x 123 x 3 1/2 in.
Diana Cooper
Silver City, 2010-13
Aluminum tape, plastic, wood, prints, 15 x 11 1/4 x 17 3/4 in.
Justine Cooper
TRAP - self portrait, 2003
MRI scans, film, acrylic, stainless steel, 47 x 36 x 36 inches
Marsha Cottrell
Terrestrial Series (6), 2013
iron oxide toner on paper, 11 5/8 x 17 3/4 in.
Marsha Cottrell
Nature of Math.1, 2005
unique electrostatic print on mylar, 12 x 18 1/2 in.
Cynthia Coulter
Canoe Fragments with Landscape and Ivy Drawings, 2001
canvas canoe skin fragments, oak frames, antique window panes (including cobalt glass), carpet tacks, oil, graphite, 15 x 174 x 1 inches
Cynthia Coulter
Untitled, 1990
canoe canvas, lath, gold leaf, found paper, oil stick, 40 x 27 x 14 inches
Scott Cousins
Ascent, 2012
oil, oil stick, charcoal on linen on the wood panel pyramid shape, 66 1/4 x 66 1/4 x 6 in.
Scott Cousins
In Your Rise, 2012
gouache and white charcoal on matte black board, 30 x 20 in.
Cris Cristofaro
Hot Air, 1988
billboard posters, tin, steel, acrylic, 60 x 75 x 14 inches
Cris Cristofaro
Own History, 1988
collage, billboard posters on paper, acrylic, 50 x 38 1/4 inches
Cui Fei
Tracing the Origin I and II, 2000
installation, phototransfer on paper, dimensions variable
Janet Culbertson
Descanso de Orwell, 2020
iridescent pigments, oil, collage on canvas, 48 x 36 in.
Janet Culbertson
The Abyss, 2016
iridescent pigments, silver paint, collage, oil on canvas, 34 x 48 in.
Janet Culbertson
Carpool, 2009-2019
iridescent pigments, silver paint, collage, oil on rag paper, 29 x 41 in.
Catherine Cullen
Untitled, 1990
paper mache, glue skin, expanded steel mesh, burlap, 36 x 13 inches
Maureen Cummins
Anatomy of Insanity, 2007
ink on tracing paper, bound in paper and leather, 10 x 8 inches
Maureen Cummins
Anatomy of Insanity, 2007
ink on tracing paper, bound in paper and leather, 10 x 8 inches
Maureen Cummins
The Business is Suffering, 2004
Artist's Book, engraving and relief, 9 x 13 inches
Jon D'Orazio
Luminous Sphere, 2000
plywood, metal, plastic and polymer, 19 x 24 inches in diameter
Jamie Dalglish
The Fuse Thru Which The Green Fuse Drives The Flower, 2005-2006
acrylic on birch panels, 49 3/4 x 89 1/2 inches
Jamie Dalglish
Pink Panther Pope and Tiger, 2004
acrylic on 12 equal birch panels, 96 x 96 inches
Eyal Danieli
Some of My Best Friends, 2007
ink on paper, mylar and plastic sheeting, 12 x 16 in.
Nancy Davidson
Dustup, 2012
vinyl coated nylon, rope, leather, paint, sandbags, sawdust, 20 x 20 x 16 ft.
Sue de Beer
Untitled, 2023
plaster, synthetic fur, plywood, paint, fabric, bells, 4'6"" x 2'6"" x 2'
Sue de Beer
Witch House; "My Head Is a Haunted House" Sadie Coles Gallery, London, 2019
paint, plywood, animals (plaster, fur, glitter), 4' x 8' x 5'
Sue de Beer
Witch House; "My Head Is a Haunted House" Sadie Coles Gallery, London, 2019
paint, plywood, animals (plaster, fur, glitter), 4' x 8' x 5'
Priscila De Carvalho
Stairways to a Odd Secret, 2008
acrylic,foam, sharpie, shoeboxes, photograph collage, dimensions variable, site-specific installation
Priscila De Carvalho
Crossing Tracks, 2007
acrylic, photograph collage, sharpie, urethane on canvas, 22 x 52 inches
Cristina de Gennaro
Sage Drawing I, 2013
charcoal on mylar and archival ink jet print on rag paper, 16 x 72 in.
Cristina de Gennaro
Sage Drawing I, Detail, 2013
charcoal on mylar and archival ink jet print on rag paper, 16 x 72 in.
Blane De St. Croix
Broken Landscape III, 2013
branches, paint, plastic, wood, glue, acrylic paint, natural materials, reconstructed section of the Mexico/US border exhibited in San Antonio, Texas, 80 ft x 7 ft x 2.5 ft
Blane De St. Croix
Broken Landscape III (detail), 2013
branches, paint, plastic, wood, glue, acrylic paint, natural materials, reconstructed section of the Mexico/US border exhibited in San Antonio, Texas, 80 ft x 7 ft x 2.5 ft
Blane De St. Croix
Mountain View (detail), 2011
recycled foam from the World Trade Center site, steel, wood, paint, dirt, concrete, stucco, 13 ft x 36 ft x 6 ft
Blane De St. Croix
Mountain Strip, 2009
branches, paint, plastic, wood, glue, acrylic paint, natural materials, 40 x 22 x 25 in.
Elaine Defibaugh
Layer Cake, 2009
flourescent acrylic paint, hand stitchery, shot under black lite, 72 x 109 in.
Elaine Defibaugh
Moving & Groovin'', 2009
acrylic, mixed, collage, hand stitchery, 72 x 105 in.
Donna Dennis
Coney Night Maze (Detail), 1996-2009
Mixed media with sound, 14 x 27 x 232 in.
Donna Dennis
Coney Night Maze (Detail), 1996-2009
Mixed media with sound, 14 x 27 x 232 in.
Donna Dennis
Coney Night Maze (detail), 1996-2009
Mixed media with sound, 14 x 27 x 232 in.
Shoshana Dentz
Home Land (Fence II no 47), 2005
gouache on paper, 8 panels, 88 x 60 inches
Larry Deyab
Revolutionary Portrait - Camilo, 2003
oil, spray paint on canvas, 40 x 100 inches
Larry Deyab
Revolutionary Portrait - Che, 2003
oil, spray paint on canvas, 40 x 100 inches
Uday Dhar
A Marriage of Squalor and Virture, No. 1, 2004
pencil, gouache, oil and wax on paper, 11 x 14 inches
Molly Dilworth
36 o 30' / World Financial Center (rendering), 2012
digitally printed vinyl, 10 x 90'
Molly Dilworth
36 o 30' (1-8), 2011
acrylic on wool felt, banboo, braided cord, 60 x 84 in.
Molly Dilworth
Cool Water, Hot Island, 2010-2012
Ride-a-way on street surface, 50,000 sq. feet
Mark Dion
Trichechus manatus (Cast Manatee Skeleton), 2013
Glass and steel vitrine, tar, numerous small trinkets, 72 x 40 x 176 in.
Mark Dion
Den, 2012
mixed media, Large scale permanent installation for the Norway Tourist Route Program, Aurland Mountain, Norway
Mark Dion
Den, 2012
mixed media, Large scale permanent installation for the Norway Tourist Route Program, Aurland Mountain, Norway
Bruce Dorfman
Look Into White, 2015
canvas, wood, metal, paper, fabric, pencil, acrylic, 60 x 38 x 5 in.
Bruce Dorfman
Purple and Purple, 2015
canvas, wood, metal, paper, fabric, pencil, acrylic, 60 x 39 x 5 in.
Bruce Dorfman
Chinatown, 2013-2015
canvas, wood, metal, paper, fabric, acrylic, 63 x 40 x 3 in.
Chris Dorland
Untitled (chrome accelerator), 2023
acrylic polymer, pigment, gesso, UV coating with aluminum stretcher bars on linen, 84 x 66 in.
Chris Dorland
Untitled (drain gate), 2023
acrylic polymer, pigment, gesso, UV coating with aluminum stretcher bars on linen, 78 x 46 in.
Chris Dorland
Untitled (stable diffusion), 2023
acrylic polymer, pigment, gesso, UV coating with aluminum stretcher bars on linen, 68 x 46 in.
Chris Dorland
Untitled (leviathan), 2021
acrylic polymer, pigment, gesso, UV coating with aluminum stretcher bars on linen, 68 x 92 in.
Judite Dos Santos
Khajurao, 1991
prints on velum, 77 mutliples of wood and mirrors, bee's wax, 42 x 36 inches
Sjoerd Doting
From the World Trade Center, Looking Northwest, 2001-2002
oil on canvas, 62 x 46 inches
Luba Drozd
Delineate the darkness into rations (site-specific installation detail), 2023
steel sheets, steel gates, steel rods, cement, hand-blown glass, copper-wound piano strings, motors, Arduinos, custom circuit boards, drywall, natural light, three-channel projection, Shown in a 4,400 square foot space
Luba Drozd
The fields would slowly overtake you (installation detail), 2022
steel, copper-wound piano strings, motors, Arduinos, custom circuit boards, natural light, and single-channel projection, dimensions are variable: the piece spans the whole building
Luba Drozd
rs 180223 (G; T), 2021
copper-wound piano strings, Arduinos, steel sheets, steel beams, motors, glass, architecture, and a single channel projection, site-specific installation of 7 x 12 x 14 feet
Luba Drozd
Cinereous, 2020
ash, piano strings, Arduinos, steel sheets, steel beams, motors, glass, drywall, architecture, and a four-channel 3D animated projection, site-specific installation in two rooms - each room 17 x 10 feet
Elizabeth Duffy
Untitled No. 19, 2000
wax paper, wire mesh, computer tape, 8 x 8 x 8 inches
Leonard Dufresne
First Family...Child & Mother, 1999 - 2000
acrylic on panel, 20 x 16 inches
Chris Duncan
The Masthead, The Ladder, 1989
steel, The Masthead: 92 x 24 x 24 inchesThe Ladder: 78 x 30 x 26 inches
Nancy Dwyer
Wall of Desire (Desire Despair Destroy Destiny), 1996
sandblasted glass, 87 x 88 x 13 inches
Jack Early
Installation view of Lennon-McCartney-McCartney-Lennon at Art Basel Miami Beach, 2014
oil on wood, 10 x 28 x 6 feet
Marybeth Edelson
Already Marked Three Panels, 1998
transfer, paint on chiffon, 144 x 120 inches
Barbara Edelstein
Elemental Spring- Guangzhou, 2002
copper, water, 216 x 192 x 156 inches
Barbara Edelstein
Elemental Spring- West Lake, Hangzhou, 2001
copper, water, 120 x 96 x 84 inches
Barbara Edelstein
Nectar for Neptune, 1990
horse chestnut tree, neptune pool, water, 40 x 61 x 91 feet
Peter Edlund
Forgotten America: Big Hill Place (Massachusetts), 2006
oil on canvas, 24 x 36 inches
Peter Edlund
Forgotten America: Chief Uncas Pursues His Rivalas Through Quinnipiac, 2006
oil on canvas, 40 x 60 inches
Peter Edlund
Homage to James Byrd (After J.J. Audubon), 2001
oil on canvas, 40 x 28 inches
Mitch Epstein
Sign Painting, Lancaster Stand, Conestoga County, Pennsylvania, 2017
Chromogenic print, 60 x 45 in.
Mitch Epstein
Tania Aubid on Day 17 of her Hunger Strike, Sacred Stone Camp, Standing Rock Sioux Reservation, North Dakota, 2017
Chromogenic print, 70 x 55 in.
Mitch Epstein
Tree-Sits, Camp White Pine, Huntingdon County, Pennsylvania, 2017
Chromogenic print, 90 x 70 in.
Mitch Epstein
William Nelson Williams III "Nine Tails" and Joshua Flyinghorse, Rosebud Camp, Standing Rock Sioux Reservation, North Dakota, 2017
Chromogenic print, 70 x 90 in.
Mark Esper
Second Orrery, 2005
welded steel, n-gauge train tracks, steel pan, water bucket with pump, electric cooktop, acrylic vanes in wooden bases, electronic circuitry, overhead lamp, gold leaf n-gauge train, 8 feet in diameter
Mark Esper
Second Orrery, 2005
welded steel, n-gauge train tracks, steel pan, water bucket with pump, electric cooktop, acrylic vanes in wooden bases, electronic circuitry, overhead lamp, gold leaf n-gauge train, 8 feet in diameter
Margaret Evangeline
The Uterine Fury of Marie Antionette No.73, 2000
oil on aluminum, 48 x 48 inches
Margaret Evangeline
The Uterine Fury of Marie Antionette No.93, 2000
oil on aluminum, 48 x 48 inches
Heide Fasnacht
Jump Zone, 2008
tape, styrofoam, neoprene, dimensions variableapproximately: 180 x 204 x 180 inches
Heide Fasnacht
Table of Contents, 2008
tape, dimensions variableapproximately: 180 x 144 x 168 inches
Kate Fauvell
Dining Room Wall 1, 2016
collage, paint, photographs, objects on canvas, each piece approximately 120 x 84 inches
Kate Fauvell
Kitchen Wall 2 and Dining Room Wall 1 Installation View, 2016
collage, paint, photographs, objects on canvas, each piece approximately 110 x 84 inches
Kate Fauvell
Living Room Wall 1 and Kitchen Wall 1 Installation View, 2016
collage, paint, photographs, objects on canvas, each piece approximately 110 x 84 inches
Kate Fauvell
Living Room Wall 1 Installation View, 2016
collage, paint, photographs, objects on canvas, 160 x 84 in.
Faye Fayerman
Gloaming- myst�re, 1993
roofing paper, serean pigment, oil on canvas, 96 x 72 inches
Faye Fayerman
Gloaming- m�tamorphose, 1993
roofing paper, rope, oil paint, pigments on canvas, 96 x 72 inches
Faye Fayerman
Nobile's Italia, 1990
oil, pigment, leather, enamel on canvas, 96 x 72 inches
Tony Feher
Four Drawn Conclusions, 2004
various plastic and metal strapping and parts, dimensions variable with installation
Tony Feher
Red into Blue, 2004
approx. 104 blown glass bottles, 52 blue opaque marbles, and 52 red opaque marbles, 18 x 35 x 15 in.
Tony Feher
Untitled, 1997
15 bottles and marbles, wood and paint, 37 x 32 x 17 3/4 inches
Tony Feher
Untitled (Somethin' Funky), 1997
brown glass bottles, yellow marbles, 16 1/4 x 36 x 22 inches
Amy Feldman
Cold Stuff, 2019
acrylic, silkscreen ink, and spray paint on canvas, 79 x 79 in.
Amy Feldman
Detail of Cold Stuff, 2019
acrylic, silkscreen ink, and spray paint on canvas, 79 x 79 in.
Amy Feldman
Grid Grin, 2019
acrylic, silkscreen ink and spray paint on canvas, 79 x 79 in.
RM Fischer
Langley Observatory Clock, Pittsburgh, PA, 2006/2007
mixed media, 21 feet tall
RM Fischer
University of Conecticut Student Union Clock, Storrs, CT, 2003/2006
mixed media, 16 feet diameter
Russell Floersch
Sink, 2009
acrylic, vinyl color and modeling paste on canvas and plastic switch panel, 20 x 22 inches
Russell Floersch
Stall, 2004 - 2009
acrylic, gouache, pencil on canvas and paper mache relief, 20 x 22 inches
Ryan Foerster
The Sky is Falling printing plate, 2012
dirt chemicals on aluminum, 23 x 35 in.
Peter Forbes
Flaming Pants Ascending, 2001
body casting, faux flame, et al., 134 x 102 x 114 inches
Peter Forbes
Aero-Dog Surveillance Unit, 1997 - 1998
plastics, electronics, 24 x 95 x 30 inches
TV camera mounted in neck, monitor in wing, head pans 145 degrees
Lucy Fradkin
Arthur Goes to Town, 2007
acrylic gouache on paper with collage and pencil, 41 x 28 1/2 inches
Lucy Fradkin
Love in the Forest, 2007
acrylic gouache on paper with pencil, 67 x 52 inches
Natalie Frank
Woman III, 2018
linen pulp on abaca base sheet with fabric, 23 1/2 x 31 in.
Charley Friedman
Gross Anatomy (Musculature System), 2005
mdf-sheet metal, 77 x 49 x 3/4 inches
appropriated miro figures taken from his paintings, enlarged and turned into standing figures as though they were alive
Charley Friedman
Gross Anatomy (Reproductive System), 2005
mdf-sheet metal, 37 x 62 x 3/4 inches
appropriated miro figures taken from his paintings, enlarged and turned into standing figures as though they were alive
Pio Galbis
Palimpsest, 2018
oil/wood & fabric, leather, grommets, belt buckle, costume jewelry, screw heads, 64 x 48 in.
Pio Galbis
Fashion, 2016-17
oil/wood & fabric, leather, grommets, costume jewelry, 64 x 48 in.
Pio Galbis
Shot, 2016-17
oil/wood & fabric, leather, duct tape, grommets, costume jewelry, 65 x 48 in.
Chitra Ganesh
Eyes of Time, 2014
mixed media includes cast resin arms, silkscreen, fabric, wire, brass, 15.5 x 47 feet
Chitra Ganesh
The Future is the Past, 2013
mixed media elements include mirrored glass, dishing lure, sea shells, artificial grass, disco balls, 118 x 236 in.
Chitra Ganesh
Three Ways of Looking Death in the Face: Part 1, 2012
mixed media on canvas including ink, pigment, glitter, feathers, butterflies, clay, wire, rubber, 40 x 60 in.
Chitra Ganesh
Cosmic Butterflies, 2011
mixed media on wall including ink, enamel, acrylic, wood, vinyl, mirror, 15.5 x 33 feet
Linda Ganjian
It Must Have Been a Happy Time, 2004
polymer clay, carpet, wood pedestal, 30 x 84 x 60 inches
Installation view, Brooklyn Museum
Linda Ganjian
Snowglobe Memories, 2003
mixed media- glue, paint, velvet, metal supports, 1 x 1 x 15 inches
detail
John Gordon Gauld
Wild Flowers and Their Teachings, 2012
egg tempura on panel, 14 x 17 in.
Sonia Gechtoff
Guardian of the Green, 1991 - 2001
acrylic, graphite on canvas, 74 x 60 in.
David Geiser
Gold Cenote, 2007-8
oil, gold leaf pigment, varnish, m/m on board, 78 x 78 in.
Ghost of a Dream
America's Favorite Pastimes, 2012
Reds, Indians and Braves baseball cards on panel, 47 x 72 in.
Ghost of a Dream
Land of the Free, Home of the Braves, 2012
Reds, Indians and Braves baseball cards on panel, 36 x 47 in.
Ghost of a Dream
Dream Ride 5,6,7, 2010
wood, plexiglass, and discarded lottery tickets with UV coat, 44 x 72 x 190 in.
Ghost of a Dream
Dream Home, 2009
discarded lottery tickets, cardboard, foam, wood, chandelier, 102 x 144 x 288 in.
Wojciech Gilewicz
Infecting the City (Mural), 2014
acrylic on canvas, variable dimensions
Wojciech Gilewicz
In Practice, SculptureCenter, New York, 2009
oil on canvas, 17 x 65 x 9 in.
Wojciech Gilewicz
Museum of Fine Arts, Ivano-Frankivsk, Ukraine, 2007
oil on canvas, 16 x 3 in.
Kathleen Gilje
Portrait of Andres, Male Model, as Nude Descending a Staircase after Gerhard Richter, 2012
oil on linen, 78 1/2 x 51 1/2 in.
Kathleen Gilje
Portrait of Louise Bourgeois after Durers Portrait of Bernhard Van Reesen, 2012
oil on wood panel, 19 x 13 1/4 in.
Kathleen Gilje
Self Portrait Slaying a Rooster after Artemisla Gentileschi's Judith Slaying Holofernes, 2012
oil on linen, 79 1/2 x 65 1/4 in.
Kathleen Gilje
Basquiat after Valazquez's Portrait of Juan de Pareja, 2011
oil on linen, 32 1/4 x 28 3/4 in.
Skye Gilkerson
Citizens and Pioneers, 2011
hand-cut newspaper page from each place the artist has lived, dimensions variable
Edward Giordano Jr.
1996
plaster, wood, man, cube, ceiling, 12' H.Cube 20" x 20"Base: 48" H x 48" D x 24"
Karin Giusti
Double Safety Net, 2006
paper, wire skeletons, 3-dimensional cast skeletons, were woven into lace patterns suspended in an installation with dramatic spot lighting to create shadow, 12', 10' and 8' cir.
Karin Giusti
Our House, 2004-2006
artist fabricated biodiesel truck, trailer and sculpture combination made from an old electrical truck, rehabbed farm hay wagon and donated greenhouse materials, 50' x 9' x 14' sculpture apparatus
Karin Giusti
Safety Net, 1998-99
silkscreen on silver, 8" x 24" circumference
1/4" scale model for 40' structure
Sandra Golbert
La Vasiia del Buhiti- Witch Doctors Vessel, 1988
homemade paper, reed, 30 x 18 x 18 inches
Sandra Golbert
Fallen Angel
plaster bandage, hand-made paper, gauze, computer text, 48 x 22 x 12 in.
Barry Goldberg
Absent Moon (Elegy for Andrew), 1988
plaster, 84 1/4 x 24 x 20 1/2 inches
Barry Goldberg
In the Back Seat of my Father's Car, 1988
plaster, 44 1/2 x 33 x 30 3/4 inches
Colin Goldberg
Inazuma, 2013
acrylic and pigment transfer with liquid polymer on birch panels, 24 x 62 in.
Colin Goldberg
Iruka, 2013
pigment transfer and acrylic on birch panel with liquid polymer, 41 x 24 in.
Colin Goldberg
Wireframe Drawing #1, 2011
graphite pencil drawing on Rives BFK paper, 22 x 29 in.
Colin Goldberg
Wireframe Drawing #3, 2011
graphite pencil drawing on Rives BFK paper, 22 x 29 in.
Eunice Golden
Metamorphosis #0017A, 2012
Archival Pigment Ink on Archival Paper, 24 x 24 in.
Eunice Golden
Metamorphosis #0017B, 2012
Archival Pigment Ink on Archival Paper, 24 x 24 in.
Maximilian Goldfarb
Dig Territory, 1999
plastic, wood, foam turf, paper bags, dimensions variable
detail
Maximilian Goldfarb
Decoys, 1998
plastic, balsa wood, foam, acrylic, dimensions variable
Daniel González
Fast Love Cheap Splash, 2012
hand-sewn sequins on canvas, 51 x 78 7/9 x 2 7/9 in.
Daniel González
Experiment of Love, 2011-2015
hand-sewn sequins on canvas, 69 2/3 x 87 2/5 x 2 7/9 in.
Kathy Goodell
Mesmer Eyes, Installation Detail, 2012
, Mesmer oculus, archival pigment print, (left wall) detail of Mesmer Eyes with ocular lenses (right wall)
Asuka Goto
lost in translation 278, 2017
pencil, colored pencil and collage on paper, 10 x 13 in.
Asuka Goto
lost in translation 86, 2016
pencil, colored pencil and collage on paper, 10 x 13 in.
Asuka Goto
lost in translation, 2015-2017
works on paper in custom-designed clamshell binder, 15 3/8 x 12 7/8 x 2 1/2 inches
Asuka Goto
lost in translation (alternate view), 2015-2017
works on paper in custom-designed clamshell binder, 15 3/8 x 12 7/8 x 2 1/2 inches
Paul Graham
Cherry Tree, New Jersey, 2022
photograph, Single work in 3 panels, 36 x 60 inches (from Verdigris)
Paul Graham
Long Island Sound, 2021-2022
photograph, Single work in 2 panels, 28 x 48 inches (from Ambergris)
Paul Graham
Cherry Blossom, New Jersey, 2021
photograph, Single work in 3 panels, 54 x 34 inches (from Verdigris)
Paul Graham
Hilltop, New Jersey, 2018-2022
photograph, Single work in 5 panels, 40 x 72 inches (from Verdigris)
Susan Graham
Insomnia, 1999
sugar, egg whites, voile, projection, dimensions vary: this installation in 30 x 40 foot room
Calvin Grimm
Georgia's Black Iris and Michele's Amaryllis, 2012
oil on canvas, 60 x 72 in.
Julie Gross
Emptied Full, 1985
oil and wax on masonite, 18 x 18 inches
Private Collection
Nancy Grossman
Gunhead, 1981 - 1991
carved wood, epoxy, goggles, push pins, 16 1/2 x 18 3/4 x 8 1/2 inches
Courtesy of Michael Rosenfeld Gallery LLC, New York, NY
Nancy Grossman
Collage Pastel #2, 1976
collage of dyed paper, tape, watercolor and pastel on paper, 26 x 20 inches
Courtesy of Michael Rosenfeld Gallery LLC, New York, NY
Nancy Grossman
Black, 1973- 1974
leather, wood, paint, epoxy, cast aluminum and hardware, 16 x 9 1/4 x 7 3/4 in.
Courtesy of Michael Rosenfeld Gallery LLC, New York, NY
Nancy Grossman
For David Smith, 1965
leather, metal, rubber, fabric and paint assemblage on canvas mounted on plywood, 85 x 85 x 6 3/4 inches
Courtesy of Michael Rosenfeld Gallery LLC, New York, NY
Antonia Guerrero
Two Campesinos & Dog, 2007
charcoal on paper amd digital photo, 120 x 275 cm
Antonia Guerrero
The Conch Shell, 2006
graphite on paper with thread, two wooden boxes mounted on paper with torn surface, 170 x 120 cm
Jeff Gurecka
Brooklyn, 1999 to present
jack-o-lanterns found in Brooklyn, plastic, plaster, natural stems, dimensions variable
Fred Gutzeit
15 Paintings of Parker's Falls, Catskills, 1990
watercolor on paper, 55 x 85 inches
Theresa Hackett
Floating, 2016
Diatomaceous earth, gesso, Flashe paint, acrylic, marker, gel medium, styrofoam on wood panel, 72 x 48 in.
Theresa Hackett
Looking Again, 2016
Diatomaceous earth, gesso, Flashe paint, acrylic,enamel, marker, gel medium, styrofoam on wood panel, 72 x 48 in.
Theresa Hackett
North of Here, 2016
Diatomaceous earth, gesso, Flashe paint, acrylic, enamel, marker on wood panel, 72 x 96 in.
Theresa Hackett
Running Out of Time, 2016
Diatomaceous earth, gesso, Flashe paint, acrylic,enamel, gel medium, styrofoam on wood panel, 72 x 48 in.
David Hamill
Post Apocalyptic Do-over III, 2006
cardboard, dimensions variable
installation view
David Hamill
Sequence 12, View 12, 2005
watercolor and graphite on paper, 55 x 74 inches
Kyung Woo Han
White Window, 2010
wood, plexiglass, surveillance camera, moniter, 80 x 80 in.
Paul Harbutt
The Pearly King of Pigeons, 2018
Oil and Mixed Media on Canvas, 57 x 49 in.
David Hardy
Blue Coconut, 2016
mixed media - coconut, glass, cedar, cement, tint, ink, polyurethane foam, vinyl, tape, 50 x 32 x 22 in.
David Hardy
Destiny, 2014
mixed media - glass, cement, polyurethane foam, tint, tape, pen, marker, glue stick, and pretzel, 94 x 75 x 8 in.
David Hardy
Giza, 2014
mixed media - cement, polyurethane foam, tint, tape, pen, pencil, wood, glass, bank lobby door, faux stone table, 84 x 48 x 36 in.
David Hardy
That a Dead Man Sings, 2014
mixed media - glass, cement, polyurethane foam, ink, aluminum, wood, 150 x 56 x 28 inches (height variable)
Elizabeth Harington
Composite-Two Part Inventions, 2007
etchings as digital prints
8 etchings as digital prints
Elizabeth Harington
Composite-Two Part Inventions, 2007
etchings as digital prints, 48 x 36 in.
Elizabeth Harington
BMV 1080 #12, 2000
etching, aquatint, 9 3/4 x 9 3/4 inches
showing the 7 pointed circle with the center folded asymmetrically
Daesha Devón Harris
But I must go, I must go on. On through the pushing stream
Just Beyond the River: A FolkTale, 2017
chromira print and porcelain cow in hardwood box with etched glass, 31 x 21 in.
Daesha Devón Harris
I do not need Freedom when I'm dead. I cannot live on tomorrow's bread.
Just Beyond the River: A FolkTale
, 2017
chromira print and letter opener in hardwood box with etched glass, 31 x 21 in.
Daesha Devón Harris
I went down in the valley And I crossed an icy stream
And the water I was crossing Was no water in a dream
Just Beyond the River: A FolkTale
, 2017
chromira print and quilt square in hardwood box with etched glass, 31 x 21 in.
Daesha Devón Harris
The soul of Justice cannot thrive On barren soil and stay alive.
Just Beyond the River: A FolkTale
, 2017
chromira print and rasp in hardwood box with etched glass, 31 x 21 in.
Tadashi Hashimoto
Crossing at Oronsko, 1998
steel, paint, chain link, 252 x 60 x 60 inches
Tadashi Hashimoto
Wells, 1992
wood, Diameters: 5 feet, 7 feet, 3 feet
Empire Fullton Ferry State Park
Tadashi Hashimoto
Silver Horses with Wings, 1991 - 1992
wood, Diameter: 14 feet
Socrates Sculpture Park
Kirsten Hassenfeld
Horn of Plenty, 2004
paper with mixed media, 60 x 24 x 24 inches
detail
Frederick Hayes
Untitled (Escape from the Automatons), 2013
acrylic on canvas, 30 x 20 in.
Frederick Hayes
Small Claims, Case #, 2011
graphite on paper and acrylic on canvas, 11 x 14 in.
Frederick Hayes
Urban Grid, Riffs on the Grid (Untitled), 2009
acrylic on canvas, 42 x 51 in.
Clarity Haynes
Janie (installation view: The Outwin 2016: American Portraiture Today, The National Portrait Gallery, Washington, DC), 2014
oil on linen, 62 x 58 in.
Valerie Hegarty
Parents' Bedroom, 2014
paper, latex and acrylic paint, foamcore, wallpaper paste, Tyvek, staples, 11 x 14 x 14 in.
Valerie Hegarty
Alternative Histories, 2013
Wood, canvas, paper, glue, fabric, acrylics, epoxy, wire, foil, Cane Acres Plantation Period Room, Brooklyn Museum, Dimensions variable
Valerie Hegarty
Alternative Histories, 2013
Wood, canvas, paper, glue, rug, thread, sand, artificial foliage, Cupola House parlor Period Room, Brooklyn Museum, Dimensions variable
Valerie Hegarty
Native American Rug with Marsh Grass, 2013
United Weavers of America Genesis Arizona Blue rug, raffia, muslin, acrylic paint, glue, sand, thread, Cupola House Parlor Period Room, Brooklyn Museum, 93 x 68 x 10 in.
Eric Heist
Penthouse, 15 Central Park West (Blankfein), 2017
gouache on paper, 10 x 11 in.
Adam Helms
Untitled (LIFE: Marjan, Blind Lion), 2011
charcoal and pastel on rice paper, 36 x 28 in.
Adam Helms
Untitled (48 Portals, 2010) - Detail, 2010
charcoal on paper, 1 of 48 Sheets: 27.5 x 21.8 inches each
Adam Helms
Untitled (48 Portals, 2010) - Installation View, 2010
charcoal on paper, 48 Sheets: 27.5 x 21.8 inches each
Lena Henke
An Idea Of Late German Sculpture: To The People Of New York, 2018 (installation view), 2018
cast fiberglass steel sculptures flocked with tennis court rubber, 6 x 6 feet to 6 x 10 feet
Lena Henke
Die Kommenden (installation view), 2018
cast rubber sculptures on Styrofoam wall displays, 6 x 13 inches to 6 x 62 inches
Lena Henke
THEMOVE (installation view), 2018
custom made street signs, cast bronze, framed photography, 7 x 13 inches to 51 x 160 inches
Lena Henke
Vulnewable in the Moment of Control (installation view), 2018
chain-mail, rope, motor, 20 x 30 feet
Judith Henry
Casting Call, 2017
sculpture made of detritus, dimensions variable depending on site
Carol Hepper
Red Bands, 2001 (on left) Iris, 2003 (on right), 2001-2003
fish skin, fishing line, pigment, wall paint, wire, Red Bands - 102 x 43 inches Iris - 74 x 124 inches
Jonathan Herder
Stampographic Panorama (cropped), 2003
postage stamps collaged on paper, 60 x 16 inches
Jonathan Herder
Falling Branch (Detail), 2002
postage stamps collaged on paper, 17 x 14 in.
Linda Herritt
Territory, 1998
fabric, steel cable, lens, motors, 40 x 40 feet, installation
Based on topographic map of Boulder, Colorado
Peter Hildebrand
The Square Root of Disaster, 2005
latex, enamel, glitter, on panel, 60 x 96 inches
Peter Hildebrand
Bad Knee (Burgs' Series), 1997
latex, enamel on masonite, 11 1/2 x 23 inches
Peter Hildebrand
Worm (Burgs' Series), 1997
latex, enamel on masonite, 11 1/2 x 23 inches
Charles Hinman
Curvature, 2005
acrylic on synthetic fabric on wood, 114 x 192 x 10 inches
Carter Hodgkin
Overwhelming and Irrational, 2002
dye, oil enamel and acrylic on canvas, 30 x 40 in.
Marietta Hoferer
White Band #1, 2002
white tape, pencil, strapp. tape on paper, 36 x 36 inches
Ann Holcomb
De Rerum Nature (after Lucretius)Brilliant Small Moth, 1999 - 2000
digital output on watercolor paper, dimensions variable
Ann Holcomb
King and Queen of Carnival, 1996
gum bichromate print, blind embossed with chinecoll�, 9 x 12 inches on 30 x 22.5 inch ground
James Holl
Times, Their Mother, 1989
poplar, steel, lead, wax, stain, birch, lacquer, 84 x 84 x 17 inches
James Holl
Whys and a Q, 1989
laminated poplar, oil stain, lead, steel, hyrdostone, wax, silver leaf, 65 x 72 x 21 inches
Norma Holt
Ring Bell Hard, 2007
photographs and oil on wood, glass, wire, 14 x 16 x 3 inches
collaboration of Jim Peters, artist of Cape Cod, and Norma Holt
Norma Holt
Ring Bell Hard, 2007
photographs and oil on wood, glass, wire, 14 x 16 x 3 inches
collaboration of Jim Peters, artist of Cape Cod, and Norma Holt
Norma Holt
Cry Africa, 2003
burnt photo, burnt wood adhered to images in wood and glass box, 10 x 6 x 8 inches
Norma Holt
They Also Faced the Sea, 2002
photos on perforated vinyl on wharf building in Provincetown Bay, 10 x 6 x 8 inches
Katie Holten
Lines Made While Getting Here, 2003
crochet wool, dimensions variable - each crochet ball corresponds to the length of the journey taken on public transportation while making the piece
Moses Hoskins
Untitled, 2012
collage media on Strathmore 25% cotton rag paper, 17 1/2 x 20 1/2 in.
Royce Howes
Untitled, 2002
collage- newspaper, photograph, newsprint, 4 3/8 x 5 1/4 inches
Heather Hutchison
Departed, 2010
plexiglass, enamel, birch plywood, beeswax, pigment, 30 x 29 3/4 x 2 1/2 in.
Heather Hutchison
Greener Pastures, 2010
plexiglass, aluminum, enamel, birch plywood, beeswax, pigment, 30 x 62 x 2 1/2 in.
Ran Hwang
The Spider's Stratagem, 2014
Paper buttons, beads, pins on plexiglas and video, 94 x 354 in.
Ran Hwang
The Spider's Stratagem, 2014
Paper buttons, beads, pins on plexiglas and video, 94 x 354 in.
Ran Hwang
The Spider's Stratagem, 2014
Paper buttons, beads, pins on plexiglas and video, 94 x 354 in.
Ran Hwang
Dreaming of Joy, 2008
Buttons, pins on wooden panel, steel cage, 95 x 195 x 101 in.
Janelle Iglesias
In High Feather (Ground Entrance View), 2014
Scavenged wood, doors, pallets, used Christmas Trees, seashells, hammock and miscellaneous scavenged objects and materials, 144 x 144 x 456 in.
Janelle Iglesias
In High Feather (Ground Level View Under the Structure), 2014
Scavenged wood, doors, pallets, used Christmas Trees, seashells, hammock and miscellaneous scavenged objects and materials, 144 x 144 x 456 in.
Janelle Iglesias
Knismesis & Gargalesis, 2012
Foam found on the shore of the East River, seashell, plaster, broomsticks, wood, Christmas Tree, cooler, sawhorse, sticks, feathers and paint, 70 x 105 x 33 in.
Janelle Iglesias
Wooden Sandwich, 2012
Found branch, plywood, wooden clamps, 92 x 69 x 22 in.
Patrick Jacobs
Stump with Red Banded Brackets and English Daisies, 2013
styrene, acrylic, cast neoprene, paper, polyurethane foam, ash, talc, starch, acrylite, vinyl film, copper, wood, steel lighting, and BK7 glass, 30 1/4 x 48 1/4 x 31 1/2 in.
Patrick Jacobs
Stump with Red Banded Brackets and English Daisies (detail), 2013
styrene, acrylic, cast neoprene, paper, polyurethane foam, ash, talc, starch, acrylite, vinyl film, copper, wood, steel lighting, and BK7 glass, 30 1/4 x 48 1/4 x 31 1/2 in.
Patrick Jacobs
Interior with View of the Gowanus Heights, 2011
mixed media sculpture, 21 x 29 x 21 in.
Patrick Jacobs
Interior with View of the Gowanus Heights (Installation View), 2011
mixed media sculpture, 21 x 29 x 21 in.
Kyung Jeon
Chapter 2- The Boy and Girl in a Land of Ignorance, 2008
gouache, graphite, watercolor on rice paper on canvas, 43 3/4 x 69 3/4 inches
Kyung Jeon
Chapter 9- Curtains of Long Grass Hide Nightmares and Tragic Secrets, 2008
gouache, graphite, watercolor on rice paper on canvas, 43 3/4 x 69 3/4 inches
Edgar Jerins
Kosmo Jack and Charley: Sonic Adventure, 2002
charcoal on paper, 60 x 86 inches
Sook-Jin Jo
The Windows of Heaven Are Open, 1995
chairs, window frames, 68 3/4 x 174 x 35 inches
Carla Johnson
Bessie Smith Meets Beethoven, 2004
piano, digital drawings, plumes, 58 x 60 x 27 inches
from The Seance Series
Carla Johnson
Hildegard von Bingen Meets Herman Melville, 2001
wood, 54 x 36 x 71 inches
from The Seance Series
Kysa Johnson
Blow Up 102, 2009
chalk pencil and chinese white on blackboard paint on wall, 132 x 180 inches
The molecular structure of the environmental pollutants carbon monoxide, methane, hexane, ethane, benzene, nitrogen oxide and sulfur dioxide after Marcus Baeza's Vista de San Telmo (detail)
Kysa Johnson
Blow Up 88 (Battle 6), 2008
watercolor and graphite on panel, 72 x 66 inches
disease and cure - staph, super-staph and penicillin after Tiepolo (detail)
Jennifer Jones
Personal Options (Detail), 1999
mixed media installation, dimensions variable
John Jurayj
Untitled (Woman's Travel Case), 2010
cast gunpowder and plaster, 8 1/2 x 14 1/4 x 10 1/4 in.
John Jurayj
Untitled (15 Men), 2008-2009
gunpowder screened on mirror polished stainless steel, 30 x 24 in.
Kahn and Selesnick
Martian Landing Installation, 2013
parachutes, cord, cement, crystals, tin and lycra, 40 x 60 x 30 ft.
Kahn and Selesnick
Bat Reliquary Busts, 2012
terra cotta, antlers, wax interiors, insects, motion sensitive lights, dimensions variable: each bust approximately 15 x 15 x 18"
Yoshiko Kanai
Floating Island, 2009
molded sugar, mixed media, colored water, 15 x 10 in.
Yoshiko Kanai
Home Hunter, 1998
porcelain, iron, 60 x 60 x 40 in.
Installation: John Michael Kohler Arts Center, April 2009- February 2010
Sun Young Kang
In-Between, 2015
Strathmore Bristol heavy weight paper, PVA, motion sensored lights, fishing lines, 24 x 15 x 11 feet
Sun Young Kang
In-Between (detail), 2015
Strathmore Bristol heavy weight paper, PVA, motion sensored lights, fishing lines, 24 x 15 x 11 feet
Sun Young Kang
The Edgeless Divide, 2015
Strathmore Bristol heavy weight paper, PVA, mirror sheets, 32 x 7 feet
Sun Young Kang
The Edgeless Divide (detail), 2015
Strathmore Bristol heavy weight paper, PVA, mirror sheets, 32 x 7 feet
Tahir Carl Karmali
PAPER Landscape, 2017
paper pulp made from visa application - documents, toner ink,on aluminum screen, 24 x 11 x 9 in.
Tahir Carl Karmali
PAPERwork: PAPERscreen Landscape, 2017
paper pulp on aluminum screen, 48 x 72 x 144 in.
Tahir Carl Karmali
PAPERwork: PAPERscreen Portrait, 2017
paper pulp on aluminum screen, 280 x 48 x 30 in.
Shelagh Keeley
Gestures of the Site, 1998
transfer, collage, wax, pigment, gouache, crayon and pencil on paper, 30 x 40 inches
a series of drawings
Shelagh Keeley
Gestures of the Site, 1998
transfer, collage, wax, pigment, gouache, crayon and pencil on paper, 30 x 40 inches
a series of drawings
Shelagh Keeley
Gestures of the Site, 1998
transfer, collage, wax, pigment, gouache, crayon and pencil on paper, 30 x 40 inches
a series of drawings
Shelagh Keeley
From a Secret Language, 1993
wax, pigment, pencil, charcoal, crayon, gouache and pastel on grey BKF paper, 30 x 40 inches
48 drawings on one wall
Lori Kent
Landscape Study (Boulder), 2011
encaustic and acrylic on linen panel, 4 x 7 in.
Haegeen Kim
Hard workers: Beaver, Pablo and I, 2006
colored pencil on paper, 40 x 26 in.
Haegeen Kim
Gorilla Woman - Self Portrait, 2005
colored pencil on paper, 16 1/2 x 23 1/2 inches
Haegeen Kim
Untitled Ping Pong Faces, 2003
graphite on ping pong balls, dimensions variable
Selena Kimball
Untitled Times, sec.02 (Liz), 2017-19
collaged newspaper and PVA glue, 24 x 24 in.
Selena Kimball
Untitled Times, sec.03 (pipeline), 2017-19
collaged newspaper and PVA glue, 25 3/4 x 43 3/4 in.
Selena Kimball
Untitled Times, sec.04 (eclipse), 2017-19
collaged newspaper and PVA glue, 24 x 44 1/4 in.
Selena Kimball
Untitled Times, sec.01 (33 Thomas Street), 2016-19
collaged newspaper and PVA glue, 23 x 56 3/4 in.
John McDevitt King
Revival, 2004
encaustic, graphite on paper, photo on panel, 50 x 40 in.
John McDevitt King
Talisman, 2004
watercolor, graphite on paper, photos on vellum, 25 1/2 x 19 1/2 in.
Elisabeth Kley
Coco (black beads), 2007
pencil, ink, gouache and collage on Japanese paper, 24 x 18 in.
after the photograph by Alexander Lieberman
Elisabeth Kley
Shirt City, 1996
pencil, oil, fluorescent pigments on canvas, 24 x 24 inches
Ana Knezevic
Lines of Desire, 2009
black lights, sound pattern and fluorescent elastics, 2,583 square foot Gallery space (three spaces), Gallery Nadezda Petrovic, Cacak, Serbia
Ana Knezevic
Lines of Desire - third room, 2009
black lights, sound pattern and fluorescent elastics, 2,583 square foot Gallery space (three spaces), Gallery Nadezda Petrovic, Cacak, Serbia
Ana Knezevic
Sound of Light, 2007
lasers and sound pattern, 775 square foot Gallery space, Gallery Belgrade, Serbia
Nsenga Knight
Drowning (detail of grid #3), 48, 2012
archival inkjet prints installed in 4 grids, 16 x 20 in.
Nsenga Knight
Drowning, 48, 2010
archival inkjet prints installed in 4 grids, 16 x 20 in.
Toshihiro Komatsu
Artist and His Studio, 1996
plywood, polystyrene, plex mirror, 39.5 x 53 x 70.5 cm
Toshihiro Komatsu
Reconstruction of Studio 204, 1993
aluminum, window frame, glass, plywood, water of lake, 430 x 215 x 220 cm
Vivienne Koorland
Vive Maman (Arrondissement de Caen. IV), 1987
oil, text, charcoal on linen, 108 x 85 inches
Vivienne Koorland
Untitled for my South African Journey, 1986
oil on linen, 38 x 32 inches
Gabriel Koren
Prudence Crandall with Student, 2009
bronze, 69 x 52 x 42 in.
Capitol Lobby, Hartford, CT
Tamara Kostianovsky
The Persistence of Agony, 2009
wood, vinyl, foam, 34 x 7 x 9 feet
Photo Credit: Roni Mocan
Tamara Kostianovsky
Abacus, 2008
clothing belonging to the artist, meat hooks, chains, 96 x 36 x 45 in.
Photo Credit: Sol Aramendi
Tamara Kostianovsky
767975, 2007
various articles of clothing belonging to the artist, embroidery floss, batting, armature wire, meat hooks, plastic bags, 46 x 50 x 19 in.
Nora Krug
Tom Ripley, 2010
etchings, 4 x 6 in.
Etching based on Patricia Highsmith's Tom Ripley Series
Sun K. Kwak
One Hundred One Hours of Conversation, 2004
masking tape, dimensions variable
Steven and William Ladd
Dad, 2010
archival board, fiber, beads, metal, 46 x 30 19/50 x 11 1/2 in.
Steven and William Ladd
Volcano, 2008
archival board, fiber, beads, metal, 39 3/4 x 19 22/25 x 8 1/2 in.
Scooter LaForge
In Trouble for Watching an X-Rated Movie, 2012
oil on canvas, 45 x 45 in.
DB Lampman
Guts, 1997
12,000 yards of sisal twine fiber, glue, paint, light bulbs, chicken wire, electrical cable
installed in 11' x 15' x 25' gallery
Marion Lane
Apparatus, 2014
shaped sheet aluminum and charcoal on canvas, 27 x 35 x 3 in.
Marion Lane
Components, 2014
shaped sheet aluminum, charcoal, fabric on canvas, 24 x 32 x 3 in.
Eve Laramee
Luminous Darwin: The Lost Notebooks of Charles Darwin, 2009
copper, brass, stone marine fossil, glass lens, video, cast iron
Detail of installation of four display cases at the Museum of the American Philosophical Society. Cases shown are "The Memory of Stones" and "Device to Extract Memories from Stones".
Eve Laramee
Luminous Darwin: The Lost Notebooks of Charles Darwin, 2009
copper, brass, steel, glass lens, video player, sound, Each: 24 x 18 x 18 inches
Detail of "Magic Lantern" video players.
Eve Laramee
Sugar Mud (Hudson River Project), 2003
crystalized yellow sugar, wood, digital photographs, lighting gels, 16.5' x 35' x 6.5'
detail: sugar and golden light
Eve Laramee
Sugar Mud (Hudson River Project), 2003
crystalized yellow sugar, wood, digital photographs, lighting gels, 16.5' x 35' x 6.5'
installation view
Harry Leigh
Untitled, 2016
wood and bricks, 60.75 x 4.5 x 5 inches
80.5 x 9.37 x 4.37 inches
60.75 x 9.5 x 3.75 inches
92 x 4.75 x 3.25 inches
95.75 x 4.75 x 3.25 inches
Patricia Leighton
The Wynding, 1999 - 2002
earthwork, paths, trails, 760 x 250 feet40 inches high
Stirling Council Commission, Stirling, Scotland
Patricia Leighton
Meall a'Chairn, 1988
mound, turfed ramp, seats, 9.6 x 14.6 x 35 feet
Glasgow, Scotland
Catarina Leitao
Survival Systems, 2004
digital prints mounted on aluminum, Dimensions variable; 30 x 96 inches to 38 x 96 inches
View of exhibition Field: Science, Technology and Nature, Socrates Sculpture Park
Catarina Leitao
Survival Systems - Urban Action Catalog, 2003
watercolor and graphite on paper, 10 Drawings - 69 x 42 inches each
installation view, 28th Bienal de Pontevedra, 2004
Catarina Leitao
A.R.D. Artificial Retreat Device (Detail), 2000
fabric, wood, sound, 61 x 48 x 48 inches
Catarina Leitao
The Body in the Garment in the Furniture in the Room (Detail), 1999
fabric, wood, sound, 4 pieces, each: 96 x 55 x 55 inches
Zoe Leonard
For Which It Stands, 2003
32 postcards (mutliples, steel postcard rack, plexiglass and wood money box, dimensions variable
installation view (close-up), MASS MoCA
Zoe Leonard
For Which It Stands (detail), 2003
32 postcards (mutliples, steel postcard rack, plexiglass and wood money box, dimensions variable
Embroidered Firescreen (detail), c. 1882 - 1883
Shaun Leonardo
Rodney King, 2017
charcoal on paper, with mirrored tint on frame, 30 x 45 in.
Marc Lepson
Metropolitan Detention Center, 2002
screen prints, 100 x 266 in.
installation view
Kurt Lightner
Cedar Tree (Nellie's Place), 2006
acrylic ink on mylar collage, 66 x 84 inches
Cynthia Lin
DrwPrntNegDrwgCrop3DSnosemouth, 2016
mixed media collage of prints and drawin: acrylic, ink, graphite, charcoal, laser ink on paper, 65 1/2 x 70 in.
Cynthia Lin
DrwPrntNegDrwgCrop3DSnosemouth - Detail, 2016
mixed media collage of prints and drawin: acrylic, ink, graphite, charcoal, laser ink on paper, Detail is 20 x 30 inches
Greg Lindquist
Glass Tower Depot (Tomb for Industry), 2007
oil and metallic on linen, 18 x 36 inches
Greg Lindquist
Red Hook Revere Sugar Refinery (Flattening the Remains, The Age of Steam), 2007
oil, metallic and graphite on linen, 17 1/2 x 50 inches
Nikki Lindt
Landscapes and Small People 'Property Line', 2005
acrylic on board, 9 x 12 inches
Ana Linneman
The World as an Orange, 2003
kitchen stool, telephone, notebook, pen, 24 x 25 x 15 inches
Jackie Lipton
Untitled, 1998
oil, wax, alkyd, paint stick on canvas, 90 x 106 inches
dyptych, detail
Jackie Lipton
Untitled, 1997
oil wax, alkyd, paintstick on canvas, 62 x 74 inches
detail
Jackie Lipton
I Don't Know How They Find Eachother, But They Do, 1984
oil and wax on linen, 90 x 106 inches
Rick Liss
No Parking Anytime, 2012
acrylic on aluminum street sign mounted in front of mirror, 2 x 12 x 18 in.
Rick Liss
No Parking Anytime, 2012
acrylic on aluminum street sign mounted in front of mirror, 2 x 12 x 18 in.
Jen Liu
The Brethren of the Stone: In Vain the Net is Spread in Sight of the Bird, 2006
watercolor and ink on paper, 2 pieces side by side, each 105 x 52.25 inches, plus a 2 inch gap
Jen Liu
The Brethren of the Stone: Paul's Vision (Three Worlds Under a Mushroom Cloud Sky), 2006
watercolor on paper, 95 1/4 x 52 1/4 inches
Beth Livensperger
Your Mother Does Not Work Here (coffee spill detail), 2020
ink on paper, 110 x 115 in.
Robert Lobe
The Palm at the End of the Parking Lot, 1995
hammered aluminum plate and walnut
Laumier Sculpture Park, St. Louis
Andrea Loefke
I hope you don't mind me talking about the best of both?, 2009
mixed media, 156 x 168 x 144 inches
Andrea Loefke
Das muss gefeiert werden! Mit Krokant, Kandiszucker, Kremhutchen und Konfekt!, 2006
mixed media, 98 x 138 x 208 inches
Joan Logue
Before the Ghetto: 1311-1516. Venice, Italy, 2016-2017
image #28 from the forty videos made for installation, in English and Italian. Length 21 minutes, HD, ambient sound
Joan Logue
Installation: Portrait: Jean-Urlick Desert, Venice Italy, 2016
image #28 from the forty videos made for installation, Length 12 minutes. Ambient sound. Mixed effects.
Joan Logue
Before the Ghetto: 1311-1516. Venice, Italy, 2013-2017
image #19 from the forty videos made for installation, in English and Italian. Length 21 minutes, HD, ambient sound
Joan Logue
Installation: Portrait: Ziva Kraus, Venice Italy, 2013-2016
image #28 from the forty videos made for installation, Length 10 minutes. Ambient sound.
Dimitar Lukanov
Transparent Water, 2007
fired clay, white and blue glaze, 10 x 10 x 9 inches
Dimitar Lukanov
Salto de Agua, 2001
welded iron, white color, 15 x 8 x 8 feet
End of day view, Punta Sur International Sculpture Park at Isla Mujeres, Mexico.
Vera Lutter
Ca Del Duca Sforza, Venice II: Janurary 13-14, 2008, 2008
silver gelatin print, 104 1/2 x 168 in.
Vera Lutter
Times Square V, New York: July 31, 2007, 2007
silver gelatin print, 100 3/4 x 56 in.
Vera Lutter
Pepsi Cola, Long Island City, X: July 10, 1998, 1998
silver gelatin print, 87 1/2 x 168 inches
Vera Lutter
Crane, Neptun Werft, Warnem�nde, III: July 29, 1997, 1997
silver gelatin print, 90 x 56 inches
Jongil Ma
The Shifting, 2009
wooden grid frame, yellow glow plexiglass, grid paper, 37 x 47 in.
Jongil Ma
You Have To Run, Don't Look Back, 2009
bamboo, rope, wood, 20 x 120 x 30 feet
International Incheon Woman Artist's Biennale, Incheon Korea
Loren Madsen
Corpse 2, 2000
laminated and carved ash, 16 x 12 x 67 inches
Each lam+ 1 year of age. Horizontal dim=non-gun murders; vertical dim=gun murders at that age. Arch= no. of shooters
Loren Madsen
Historical Abstract: L&M, 1998
cherrywood, 46 x 27 x 7 inches
Each layer= 1 year (1940-1993) Wide dim=married births, Narrow dim=unmarried births Ctr line= birth rate
Nicholas Maffei
Bench, 1997
acrylic, silver paint, pencil, ampules on waferboard, 48 x 48 inches
Nicholas Maffei
Untitled, 1995 - 1996
oil, flourescent paint, silver paint, mica, acrylic on canvas, 60 x 96 inches
Norman Magnusson
Both Sides - BACK, 2015
cast aluminum and acrylic paint, 96 x 36 x 4 in.
Norman Magnusson
Both Sides - FRONT, 2015
cast aluminum and acrylic paint, 96 x 36 x 4 in.
Norman Magnusson
Illegal Immigrants, 2012
cast aluminum and acrylic paint, 96 x 36 x 4 in.
Ati Maier
Possibility of Perception, 2011
airbrush, ink, woodstain on paper, 94 1/2 x 53 in.
Joanna Malinowska
From the Canyons to the Stars, 2012
plaster over foam armature, artificial deer sinew, shellac, 8 x 6 x 6'
Joanna Malinowska
Journey to the Beginning of Time, an installation: reconstructed, 2012
retro T.V. set, Dimensions Vary
Video documenting preparation and consumption of 'chicha de yuca'- a legendary, fermented Amazonian potion, consumption accompanied by visions of Dadaist Hugo Ball and Joseph Beuys
Henrietta Mantooth
Historic Crop Today: Angola Prison USA, 2017
acrylic on canvas and milk crates with cotton boughs, 31 x 45 x 20 in.
Henrietta Mantooth
It's Like We're in There with Them, 2017
acrylic on canvas, 40 x 60 in.
Henrietta Mantooth
Make America White Again, 2017
acrylic on paper and cardboard box, 16 x 14 1/2 x 9 in.
Henrietta Mantooth
The Box: Solitary Confinement, 2017
acrylic on paper and wooden milk crate with red Tyvek backing, 21 x 14 1/2 in.
Yeni Mao
fig 24.1 droid, 2020
steel, ceramic tile, leather, acrylic enamel, 30 x 18 x 14 1/2 in.
Yeni Mao
fig 17.4 arcade, 2018
steel, ceramic tile, cement, leather, yellow quartz, volcanic stone, gold painted bronze, rabbit skin, acrylic enamel, 63 x 26 x 23 in.
Yeni Mao
fig 17.5 reckoner, 2018
steel, brass, leather, tile, cement, ceramic tile, acrylic enamel, 66 1/2 x 32 1/2 x 25 in.
Yeni Mao
fig 18.3 console, knurled, 2018
steel, ceramic tile, aluminum, cement, leather, cotton cord, acrylic enamel, 41 x 13 x 8 in.
Armando Marino
Oil Platform 1, 2009
oil on canvas, 310 x 180 cm
From the series 'Drilling America'
China Marks
Life is Complicated, 2018
fabric, thread, brass trim, residual latex paint, fusible adhesive on a contemporary tapestry copy of Girl in a Green Dress by Tamara de Lempicka, 38 1/2 x 54 1/2 in.
China Marks
Men and Their Ways, 2018
fabric, thread, buttons, plastic auto part, coated wire, Jade glue, fusible adhesive on a contemporary tapestry copy of an unattributed 16th Century painting of jousting knights, 36 x 53 1/2 in.
China Marks
Savage Grace, 2018
fabric, thread, lace, screen-printing ink, metal earrings, metal and plastic buttons, plastic animals, coated wire, Jade glue, fusible adhesive on a tapestry copy of a detail of a 13th C. fresco of the Knights Templar leaving for the 2nd Crusade, 37 1/2 x 54 1/2 in.
China Marks
The Secret Lives of Saints, 2018
fabric, thread, fusible adhesive on a contemporary tapestry copy of a 1323-1320 fresco by Simone Martini except for the substitution of a St. Francis in a mendicant’s robe, face forward, 40 x 24 1/2 in.
Marisol Martinez
Forgotten Knowledge, 2002
silkscreen, hardcover, spiral bound, 10 3/4 x 7 3/4 x 1/2 inches
Edition 50, 34 pages
Caitlin Masley
Marina City Red No. 5, 2006
inks, paint pens and pencil on wall, variable dimensions
installation
Caitlin Masley
Untitled Silver No. 4, 2005-2006
graphite, acrylic, ink on paper, 100 x 101 inches
Amanda C Mathis
Finding Something You Didn't Know Was There, 2021
wood lath, fabric, chair stuffing, 48 x 71 1/4 x 20 in.
Amanda C Mathis
Coming Undone, 2019
linoleum flooring, upholstery, molding, 74 x 27 1/2 x 9 1/2 in.
Marlene McCarty
Backyard Baptism, The Borden family with David, Sunday, November 13, 2005, Lititz, Pennsylvania, 2006 - 2007
graphite and ballpoint pen on paper, 114 x 220 inches
Marlene McCarty
Dr. Robert M. Schwartz, Clara Jane Schwartz and Michael Pfohl, December 6, 2001, 2005
ballpoint pen and graphite on paper, 114 1/2 x 80 inches
Marlene McCarty
Marlene Olive - 353 Hibiscus Way - Marin County California - June 21, 1975, 2003
graphite and ballpoint ink on paper, 120 x 168 in.
Mural #6 - Chuck, Marlene - March 26, 1975
Marlene McCarty
Melinda Loveless, Toni Lawrence, Hope Rippey, Laurie Tackett and Shanda Sharer - January 11, 1992, 2000-2001
graphite and ballpoint ink on paper, 124 x 158 in.
Ann McCoy
Processional with Light Bringer, 2005
cast bronze with silver, 14 x 9 x 95 1/2 in.
Dave McDermott
L'imbécile d'Aristote dans la forêt japonaise, 2015
yarn, oil, 23k gold, mounted newsprint on panel, 78 x 60 in.
Dave McDermott
The European Arrangement, 2015
oil, linen, yarn, crayon on panel, 75 x 63 in.
Paul McDonough
Figure With Ceramic Fruit Bowl and Shadows, 2010
silver gelatin print, 11 x 14 in.
Paul McDonough
Figure With Japanese Screen and Wedding Photo, 2010
silver gelatin print, 11 x 14 in.
James Lancel McElhinney
Crow's Nest from Cold Spring, 2016
Watercolor and pigment pen on Moleskine watercolor journal, 3 1/2 x 10 in.
James Lancel McElhinney
Sleepy Hollow, 2016
Watercolor and pigment pen on Moleskine watercolor journal, 3 1/2 x 10 in.
James Lancel McElhinney
Southwest from Olana, 2016
Watercolor and pigment pen on Moleskine watercolor journal, 3 1/2 x 10 in.
James Lancel McElhinney
Tappan Zee and Hook Mountain from Croton Point, 2016
Watercolor and pigment pen on Moleskine watercolor journal, 3 1/2 x 10 in.
Charles McGill
Goat, Bull, Rooster, Horse, 2014
re-assembled golf bag parts, 22 x 12 x 17 in.
Charles McGill
The History of Race and Sex, Part I, 2014
reconfigured golf bag and collage, 17 x 13 x 14 in.
Charles McGill
The Patriots, 2011-12
reconfigured golf bag parts on reinforced wood panel, 60 x 54 x 19 in.
Charles McGill
Four Men in Formal Attire, 2011
reconfigured golf bag parts on reinforced wood panel, 54 x 48 x 18 in.
Glendalys Medina
BrownPinkTaÁnoBlackGold, 2018
photolithograph printed in gold ink on pink Yatsuo paper, flocked with gold pigment. Overprinted with brown relief., 26 x 20 in.
Creighton Michael
Rhapsody Wall Vertical 108, 2008
graphite and paper coated rope, 58 x 26 x 12 in.
4 drawing episodes
Creighton Michael
Rhapsody Wall Vertical 208, 2008
graphite and paper coated rope, 50 x 39 x 9 in.
6 drawing episodes
Nicholas Micros
Horseman, 2000
plaster, steel, rope, fabric, casts, lime wash, 125 x 84 x 55 in.
Nicholas Micros
Idolatry, 1998 - 2001
plaster, fabric, wood, casts, lime wash, 144 x 130 x 55 in.
Jason Middlebrook
Once Again a Version of Nature Through My Eyes, 2011
acrylic on beech, 78 x 60 x 3 1/2 in.
Elizabeth Miller
A Fine Sense of Humor, 1996
watercolor, ink, tracing paper, oil on canvas, 54 x 72 inches
Elizabeth Miller
Hope Goes Underground, 1996
oil, acrylic, pencil on canvas, 50 x 74 inches
Richard Minsky
The Eighth Amdendment: Forlorn Hope: The Prison Reform Movement by Larry E. Sullivan, 2002
book covered in inkjet on canvas with steel chain attached to painted wood "jail cell" case, 12 x 10 x 10 in.
from The Bill of Rights Limited Edition Set
Richard Minsky
The First Amendment: Reliquary for the Ashes of Salman Rushdie's Satanic Verses, 2001
reliquary containing the burned book, ink-jet on paper laminated to binder's board, with polyurethane and UV filter coatings, stained glass, 23K gold leaf, 12 x 12 x 12 in.
from The Bill of Rights Limited Edition Set. Spine View
Richard Minsky
Reliquary for the Ashes of Salman Rushdie's 'Satanic Verses', 1994
gold leaf, agate, citrine, quartz, binder's board, ink, book, matched, incense, 19 x 9 x 10 inches
Mary Miss
Roshanara's Nett, 2008
pipes, cloth, tin, wheeled carts, medicinal plants, 6' (L) x 3.5' (H) x 2' (D)
Meleko Mokgosi
Democratic Intuition, Exordium, 2015
oil and charcoal on canvas, 84 x 72, 96 x 108, 96 x 120, 84 x 96, 84 x 84, 84 x 96, 96 x 84, 144 x 78, 96 inch diameter, 48 inch diameter, 96 x 108, 96 x 144
Meleko Mokgosi
Democratic Intuition, Exordium (Altarpiece), 2015
oil and charcoal on canvas, 144 x 78 in.
Meleko Mokgosi
Pax Kaffaria, Ruse of Disavowal, 2013
oil and charcoal on canvas, 108 x 132, 96 x 132, 96 x 180, 108 x 180, 108 x 132, 96 x 132, 108 x 132 inches
Meleko Mokgosi
Pax Kaffaria, Ruse of Disavowal, 2013
oil and charcoal on canvas, 108 x 132, 96 x 132, 96 x 180, 108 x 180, 108 x 132, 96 x 132, 108 x 132 inches
Steven Montgomery
Structural Bolt/Core Corrosion, 2008
painted, glazed ceramic, 25 x 27 x 60 in.
Natalie Moore
Cloud Cover, 2010
fabric and LED lighting, dimensions variable
Still from Cloud Cover, installation for jazz and dance performance
Pamela Moore
London Highwater II, 2003
mixed media canvas with chine colle photo intaglio, 40 x 60 inches
Laura Moriarty
Breakaways, 2007
beeswax, tree resin and pigments, mounted on wood panel, 11 1/4 x 9 3/4 x 7 in.
Laura Moriarty
Nothing Big But The Difference, 2007
beeswax, tree resin and pigments, mounted on wood panel, 24 x 24 x 11 3/4 in.
Laura Moriarty
Piled Aggregate, 2003
compressed encaustic clusters, sliced and burnished, 14 1/4 x 9 x 7 1/2 in.
Laura Moriarty
Trench, 2002
encaustic and compressed paint clusters on red maple slab, 32 x 16 in.
Mauricio Morillas
Lavender Cosmos, 2012
mixed media with resin and metal on wood, 30 x 30 in.
Mauricio Morillas
Yellow Cosmos, 2012
mixed media with resin and metal on wood, 30 x 30 in.
Mauricio Morillas
Blue Lens, 2010
mixed media with metal, plaster, acrylic, graphite and resin on wood, 24 x 24 in.
Mauricio Morillas
Cool Blue with Metal, 2010
mixed media with acrylic and metal on wood, 20 x 16 in.
Portia Munson
Pink Project: Bedroom (installation at Flag Art Foundation, NYC), 2018
mixed media installation, found pink plastic objects, synthetic clothing & furniture, 8 feet high x 16 feet wide x 20 feet deep
Portia Munson
Pink Project: Bedroom, detail (installation at Flag Art Foundation, NYC), 2018
mixed media installation, found pink plastic objects, synthetic clothing & furniture, 8 feet high x 16 feet wide x 20 feet deep
Portia Munson
The Garden (installation at PPOW Gallery, NYC), 2016
mixed media installation, found synthetic dresses, plastic floral and garden related objects along with salvaged bedroom furnishings, 8 feet high x 19 feet wide x 19 feet deep
Portia Munson
The Garden, vanity detail (installation at PPOW Gallery, NYC), 2016
mixed media installation, found synthetic dresses, plastic floral and garden related objects along with salvaged bedroom furnishings, 8 feet high x 19 feet wide x 19 feet deep
Amy Myers
Virtual Underground (detail), 2015
graphite, gouache, pastel on paper, 98 x 108 in.
Chris Nau
Tackling the Unknown Unkowns, 2007
oil on panel with spray paint on wood inlay, 40 x 47 inches
Florence Neal
The Zetegians, 1989
welded, cut & painted steel wind sculptures, 132 x 180 inches
Florence Neal
Southern Shift, 1988
oil on canvas, 132 x 180 inches
Willis Gallery, Detroit
Joseph Nechvatal
Orgiastic Abbatoir- Flawless Ignudio, 2004
computer-robotic assisted acrylic on canvas
Shervone Neckles
Domiciliation: Bless this House Installation View 1, 2019
Mixed media: digitally collaged family photos and records silkscreened onto 16-20 gauge clear polymerizing vinyl chloride (PVC) sheets, constructed into 3D forms using polypropylene webbing with thread and fabric trimming, dimensions variable
Shervone Neckles
Domiciliation: Settle/Unsettle storage container 1, 2019
Mixed media: digitally collaged family photos and records silkscreened onto 16-20 gauge clear polymerizing vinyl chloride (PVC) sheets, constructed into 3D forms using polypropylene webbing with thread and fabric trimming, 19 1/2 x 19 1/2 x 30 1/2 in.
Shervone Neckles
Domiciliation: Settle/Unsettle storage container 3, 2019
Mixed media: digitally collaged family photos and records silkscreened onto 16-20 gauge clear polymerizing vinyl chloride (PVC) sheets, constructed into 3D forms using polypropylene webbing with thread and fabric trimming, 22 x 31 1/2 x 17 in.
Shervone Neckles
Domiciliation: Settle/Unsettle storage container 3, 2019
Mixed media: digitally collaged family photos and records silkscreened onto 16-20 gauge clear polymerizing vinyl chloride (PVC) sheets, constructed into 3D forms using polypropylene webbing with thread and fabric trimming, 22 x 31 1/2 x 17 in.
Joshua Neustein
Light on the Ashes, 1996
map, ashes, cast letters, chandelier, 50 x 40 inches
John Newman
Gold and Gourds on a Marble Pillow, 2005
carved and polished Turkish afyon marble, gourds, gold leaf, papier mache, foamcore, Japanese paper, wood putty, acqua resin, armature wire, 18 1/2 x 19 1/2 x 12 1/2 inches
John Newman
Pompom Battery, 2004
mold-blown glass, sholapith, copper wire, mutex, sisal, papier mache, styrofoam, Japanese paper, acqua resin, wood, wood putty, armature wire, oil paint, 18 1/2 x 19 1/2 x 12 1/2 inches
John Newman
Homespun (with a Patmian Stone), 2000
cane, sholepith, drawing on paper, papier mache, stone, 26 x 20 x 8 inches
John Newman
Homespun (with flocking), 2000
gilded and flocked paper, plaster, foam, wood, wood putty with colored chalk, 26 x 20 x 8 inches
Rashaad Newsome
Catwalk (Star Revlon), 2016
lithograph print with 3D and collage elements, 42 x 30 x 3 in.
Rashaad Newsome
Duck Walk (Justin Alen), 2016
lithograph print with 3D and collage elements, 42 x 30 x 3 in.
Rashaad Newsome
Floor Performance (Derek Auguste), 2016
lithograph print with 3D and collage elements, 42 x 30 x 3 in.
Rashaad Newsome
Hands (Rejean Tornado Veal), 2016
lithograph print with 3D and collage elements, 42 x 30 x 3 in.
Christian Nguyen
Untitled (Labyrinth), 2003
charcoal and acrylic polymer on canvas, 36 x 48 inches
Christian Nguyen
Untitled (Staircase), 2003
charcoal and acrylic polymer on canvas, 32 x 44 inches
Judith Nilson
Traveling up the Birth Canal, 2004
oil paint, oil pastel, pencil, colored pencil on gessoed paper, 30 x 22 1/4 inches
Judith Nilson
Untitled, 2004
oil paint, oil pastel, pencil, colored pencil on gessoed paper, 30 x 22 inches
Judith Nilson
Blueprint #1, 2001
oil paint, oil pastel, colored pencil, black ink, black wire, gessoed paper, 6 x 7 1/2 inches
Judith Nilson
The Making of a Real Boy (Blueprint #7), 2001
mixed media on gessoed paper, 8 1/2 x 6 inches
Matthew Northridge
Pushpin Laserbeam, 2003
objects, epoxy, 100 pishpins, 10 inches in diameter, variable
Patsy Norvell
Big Rose, 1991 - 1992
sandblasted glass, painted wood, florescent light, 78 x 96 x 24 inches
Lori Nozick
Riverwalk markers and Monoliths, 2009
cement sculpture with organic and mica pigments, embedded artifacts, pant and marine imprints, Sizes range from 9' x 18" x 18" - 4' x 10" x 10"
Permanent public art installation
Lori Nozick
Sal Non Sal 124, 2009
salt blocks and salt mortar, Tower: 8' x 17' x 10'; Columns: 6' x 1' x 1'; Wall: 2' x 18' x 4"
Temporary site specific sculpture installation
John O'Connor
Dizzy, 2005
colored pencil, graphite, and charcoal on paper, 75 x 69 1/2 inches
John O'Connor
Nostradamus, 2005
colored pencil, graphite, and gesso on paper, 52 1/2 x 82 inches
Morgan O'Hara
Stay Vigilant Says a Curfew Veteran (recto), 2020
ink on paper, 26 1/2 x 38 1/4 in.
Morgan O'Hara
Stay Vigilant Says a Curfew Veteran (verso), 2020
ink on paper, 26 1/2 x 38 1/4 in.
Morgan O'Hara
We All Have to Care About Each Other (recto), 2020
ink on paper, 26 1/2 x 38 1/4 in.
Brian O'Leary
Africa is Not a Bed of Roses, 2008
oil paint and tar on panel, 66 x 60 in.
Coke O'Neal
Untitled, 2007
wood, metal LEDs, C-prints, dimensions variable
Installation shoot
Wura-Natasha Ogunji
Cuerpo (Head, Breathm Shadow, 16 Cowries), 2006
thread, paper, mixed media, 65 x 42 x 1/4 in.
Renato Orara
Untitled (from series 10 Thousand Things that Breath), 2004
ballpoint pen on paper, 5 1/2 x 8 inches
Renato Orara
Untitled (from series 10 Thousand Things that Breath), 1999
ballpoint pen on paper, 5 1/2 x 8 inches
Anna Ostoya
Lee 6, 2017
acrylic, gold leaf and archival inkjet print on canvas, 24 x 20 in.
Rachel Owens
Drifters, 2008
leather, palette, animal skull, glass, coral, nails, 81 x 26 x 24 in.
Rachel Owens
Self-portrait, 2008
crutches, palette, wheels, rope, branches, glass, plastic, reflector, 81 x 26 x 24 in.
Rachel Owens
Groundswell, 2007
recycled rubber from innertubes, steel pipe, barrels, tires, water, pump, 216 x 168 x 168 inches
Sky Pape
Untitled (Image 3939), diptych, 2012
sumi ink on paper, 27 1/2 x 19 3/8 inches each piece
Sky Pape
Codex (Detail), 1996
lakta and embossed paper, brass wire, brass pins, 24 x 40 x 2 inches
Ga Hae Park
Space Drawings-Inner Rhythms, 2007
cut paper, ink, 14 x 14 in.
Lighting Installation; 12 pieces
Ga Hae Park
Asian Tunes (Gung Sang Gark Chi Yoo), Music Drawings, 2005
cut paper, ink, 17 x 17 inches each, 6 pieces; 17 x 102 inches total
Mia Pearlman
Maelstrom, 2008
aluminum, steel, wire, paper, India ink, monofilament, 144 x 132 inches
Bruce Pearson
NOT TO INTERRUPT YOUR BEAUTIFUL MOMENT (2), 2016
oil and acrylic on Styrofoam, 48 x 60 in.
Ben Pederson
Both Times at Once, 2016
wood, cardboard, epoxy clay, acrylic paint, latex paint, vinyl paint, 28 1/4 x 27 x 17 1/4 in.
Ben Pederson
The Small Slowness, 2016
plywood, epoxy clay, spray paint, acrylic paint, 12 1/2 x 14 3/4 x 7 in.
Ben Pederson
1990 Movie With Mom, 2015
wood, cardboard, epoxy clay, acrylic and latex paint, 30 x 17 x 14 in.
Ben Pederson
Caligula Would Have Blushed, 2015
mobile made from sculpture remnants, 7 1/2 x 5 1/2 x 3 1/2 feet
Ian Pedigo
Awake Under an Overpass, 2015
Wood, plastic, textile, metal, acrylic paint, 76 x 36 x 24 in.
Ian Pedigo
Light That Never Goes Out, 2015
Wood, metal, plastic, acrylic paint, textile, bone, 60 x 66 x 30 in.
Ian Pedigo
Soon as with the Other, 2015
Wood, plastic, acrylic paint, metal, textile, rubber, 66 x 66 x 30 3/4 in.
Ian Pedigo
The Descender, 2015
Wood, plastic, textile, acrylic paint, metal, 96 x 48 x 26 in.
Marsha Pels
Cleansing II: Tub, 2001
structolite, soap, steel, glass, tar, flourescent light, 52 x 35 x 70 inches
Joyce Pensato
Felix on the Run No. 5, 2002
charcoal, pastel, acrylic on wood, 40 x 32 in.
Gilda Pervin
Caught, 2005
Portland cement, sand, acrylic paint, metal brackets on wood, 80 x 60 x 15 in.
Gilda Pervin
Here We Are, 2004
Portland cement, sand, gesso, charcoal on wood, 80 x 60 x 15 in.
Gilda Pervin
Untitled, 2000
Portland cement, gesso, acrylic, paint on wood, 6 x 7 x 2 inches
Bundith Phunsombatlert
Returning Dialogue: Fragments of Blue and White Porcelain (Southeast Asia Series), 2019
Drawing and images digitally transfer on porcelain displayed in an archival clamshell box, 16 x 27 x 2 in.
Bundith Phunsombatlert
Returning Dialogue: Fragments of Blue and White Porcelain (Transatlantic Slave Trade Series), 2019
Drawing and images digitally transfer on porcelain displayed in an archival clamshell box, 16 x 27 x 2 in.
Bundith Phunsombatlert
Memory, Market and Migratory Transition (Detail), 2015/2017
16 small monitors, acrylic shelves, light box, images digitally print on transparent paper mounted on laser cutting acrylic, wires with connectors, and microcontrollers, Dimensions adjust to site
Bundith Phunsombatlert
Memory, Market and Migratory Transition (Installation View), 2015/2017
16 small monitors, acrylic shelves, light box, images digitally print on transparent paper mounted on laser cutting acrylic, wires with connectors, and microcontrollers, Dimensions adjust to site
Antonella Piemontese
She wore 100 pockets to fill with memories, 2013
Ink on fabric, dress form mannequin, 65 x 32 x 32 in.
Antonella Piemontese
She wore bandages for protection against injury, impact and transmission, 2012
Fabric, string, dress form mannequin, 67 x 96 x 48 in.
Oren Pinhassi
Nature Calls, 2017
plaster, sand, pigment, burlap, steel, glass, vaseline, Eqyptian loofah, shower curtains, dimensions variable
Oren Pinhassi
Nature Calls, 2017
plaster, sand, pigment, burlap, steel, glass, vaseline, Eqyptian loofah, shower curtains, dimensions variable
Oren Pinhassi
Springs, 2017
cement, plaster, pigment, burlap, steel, glass, vaseline, Egyptian loofah, hand towels, lawn chairs, sun umbrellas, dimensions variable
Oren Pinhassi
Springs, 2017
cement, plaster, pigment, burlap, steel, glass, vaseline, Egyptian loofah, hand towels, lawn chairs, sun umbrellas, dimensions variable
Don Porcaro
Talisman 15, 2015
marble, stone, and brass, installation view, Visual Arts Center of NJ, sizes variable
Virginia Poundstone
Flower Arrangement #1, 2013
Cast bronze and hot poured glass, 8 x 10 x 6 in.
Virginia Poundstone
Flower Arrangement #1 (with flower press as plinth), 2013
Cast bronze, hot poured glass marble, wood, cardboard, newsprint, and ratchet straps, 44 x 12 x 12 in.
Virginia Poundstone
Flower Arrangement #2, 2013
Cast bronze and hot poured glass, 5 x 9 x 6 in.
Virginia Poundstone
Flower Arrangement #8, 2013
Cast bronze and hot poured glass, 12 x 5 x 5 in.
David Provan
The Day It Forgets Its Past It Looses Its Future, 1987
wood, plexi, wax, 28 x 30 x 16 inches
Yvonne Puffer
The Home Place detail - chair, 2003
papier-mache with torn drawings collages on exterior
Ernesto Pujol
Saturn's Table, 1996
7 iron tools, 2 silver dishes, clay genitals
detail of tabletop
Ernesto Pujol
Saturn's Table, 1996
detail of 100 handmade clay genitals sprinkled with ashes
Diana Puntar
Lived Live Evil Devil, 2008
plywood, plastic and aluminum laminate, phosphorescent paint, mirrors, 38 x 28 x 30 inches
detail
Diana Puntar
Less Than Day, Or Night, 2007
plywood, aluminum laminate, mirror
detail of interior, installation at PS1
Ann Purcell
Playground #10, "Elephant Ears", "Playground Series", 2009
acrylic on canvas, 72 x 84 in.
Luisa Rabbia
Threshold, 2019
colored pencil, pastel, acrylic, and oil on canvas, 103 x 53 in.
Raquel Rabinovich
When Silence Becomes Poetry 2: for Stephane Mallarme, 2023
pastel, chalk, and colored pencil on paper, 6 3/4 x 10 in.
Raquel Rabinovich
River Library Scrolls, 2014
mud from rivers around the world and glue on paper, dimensions variable; each scroll is an actual drawing rolled up and sealed
Raquel Rabinovich
River Library Scrolls (detail), 2014
mud from rivers around the world and glue on paper, dimensions variable; each scroll is an actual drawing rolled up and sealed
Raha Raissnia
Untitled, 2013
image transfer, ink, compressed charcoal on paper, 14 x 17 in.
Hunter Reynolds
ACT-UP Chicago a Revolution, 2015
archival C-prints and thread, 48 x 60 in.
Hunter Reynolds
ACT-UP Chicago a Revolution, Don't Tread on Me, 2015
archival C-prints and thread, 48 x 60 in.
Hunter Reynolds
ACT-UP Chicago a Revolution, Woman and AIDS, 2015
archival C-prints and thread, 48 x 60 in.
Hunter Reynolds
Suffering With Bitterness, 2015
archival C-prints and thread, 48 x 60 in.
Jill Reynolds
Chronicle diorama, interior., 2000
glass, wood, metronome, rubber, 68 x 54 x 49 inches
Jill Reynolds
The Shape of Breath: Alphabet, 1997
wall of glass bubbles, backlit, 120 x 408 inches
Scott Reynolds
Three Car Garage with Attached House, 2002
wood, paint, vinyl, fan, air, 89 x 155 x 69 in.
Scott Reynolds
War of the Worlds, 2000
wood, fabric, fan, air, 143 x 480 x 154 1/2 inches
Scott Reynolds
A Recreation of the Custom Window Treatments at the Freud Institute for Architectural Research, 1999
wood, fabric, fan, air, 63 x 73 1/2 x 30 inches
Andrea Reynosa
Earth Totems, 2015
Soil, hay bales, plastic edging, Mustard and Amaranth seeds, seasonal rain, Dimensions variable
Andrea Reynosa
Earth Totems, 2015
Soil, hay bales, plastic edging, Mustard and Amaranth seeds, seasonal rain, Dimensions variable
Leah Rhodes
Scarab Shield, 1981
mixed media, screening, gauze, shell, 19 1/4 x 29 x 3 inches
Elizabeth Riggle
Lumbo-Sacral Scores, 2013
conte crayon and gouache on paper, 111 x 165 in.
Duke Riley
...To Determine Whether Things Were Getting Better Or Worse, 2010
ceramic, glass and composite tile on panels, 114 x 33 in.
Duke Riley
Morituri Te Saluntant, 2009
laser engraving and dry point on plexiglass, printed on handmade phragmites paper
Andy Robert
Higher Ground: Soon, Higher Ground: Past Present; and Higher Ground: Here, 2018
oil on canvas, 88 x 74 inches each (triptych)
Aurora Robson
Spur, 2008
discarded plastic bottles, tinted polycrylic, gesso, rivets, monofilament, solar panel, light emitting diodes, wires, batteries, 48 x 48 x 48 inches
Aurora Robson
The Great Indoors, 2008
15,000 discarded plastic bottles, rivets, tinted polycrylic, monofilament and solar powered LED lights, 480 x 480 x 192 in.
Aurora Robson
What Goes Around Comes Around, 2008
9,000 discarded plastic bottles, tinted polycrylic, rivets, hardware, cables, pulleys, plexiglass, 768 x 216 x 192 inches
Dorothea Rockburne
Reinventing the Elements: Copper, Egyptian Blue and Isaac Newton, Postcard Series, 2001
Lascaux Aquacryl, pencil, copper pencil on Holbein paper, 16 x 16 inches
Dorothea Rockburne
Reinventing the Elements: Copper, Egyptian Blue, Newton, Post Card Series No. 30, 2001
pencil, copper pencil, Lascaux Aquacryl on Holbein paper, 4 x 6 inches
Christopher Romer
The Gathering of the Birds (detail view), 2003
Noth American woods, poured lead, oil, enamel paint, sundry hardware, dimensions variable
Taney Roniger
Stone Series (Prisoner's Dilemma No. 1), 2008
oil and synthetic polymer on canvas, 30 x 45 in.
Taney Roniger
Stone Series (Oval and Spirals No. 2), 2007 - 2008
oil and synthetic polymer on canvas, 58 x 43 in.
Taney Roniger
Stone Series--Altostrautus No. 1, 2007
oil and polymer on canvas, 40 x 30 inches
Brie Ruais
Above and Below the Horizon (2x 130 lbs.), 2017
fired clay, glaze, hardware, 62 x 118 x 8 in.
Brie Ruais
Broken Ground Red (130 lbs of clay spread out from center), 2017
fired clay, glaze, hardware, 77 x 77 x 3 in.
Brie Ruais
Broken Ground White (130 lbs of clay spread out from center while wearing Birkenstock sandals), 2017
fired clay, glaze, hardware, 79 x 79 x 3 in.
Brie Ruais
Trees and Horizon, Tied together, 2017
fired clay, glaze, hardware, 120 x 132 x 8 in.
Bradley Rubenstein
Ressurection Set: Peter's Shadow (self-portrait), 2002
oil on canvas, 70 x 50 in.
Collection Museum of Fine Arts Boston
Veronica Ryan
Armor, Armature, 2017
vinyl flooring (teal), hand-stitched stuffed polycotton nursing cushions (turquoise), steel welding rods, 2210 x 2740 x 1900 mm
Veronica Ryan
Grey Matter, Flooring, 2017
vinyl flooring (teal), grey hand-stitched pillows, embroidery needles, thread, 3400 x 2000 mm
Cushion height approx. 620mm
Veronica Ryan
Layered Strata, Flooring, 2017
vinyl flooring (teal), hand-dued, hand-stitched pillows, thread, 3740 x 2000 mm
Cusion height approx: 1530 mm
Veronica Ryan
Protectors, 2017
hand-stitched pillows, adapted steel industrial shelving (orange) thread, 1270 x 409 600 mm
Scott Sandell
41 Sounds (b), 2014
collage built from painted handmade and hand printed papers, with screenprint, lithography and drawing, 30 x 22 in.
Scott Sandell
41 Sounds (d), 2014
collage built from painted handmade and hand printed papers, with screenprint, lithographym digital print, monoprint and drawing, 30 x 22 in.
David Sandlin
Oooh My Son, All of This Is Yours (Helluva World), 2006
oil on canvas, 84 x 60 inches
David Sandlin
Oooh My Son, All of This Is Yours (Slumburbia), 2006
oil on canvas, 84 x 60 inches
Gordon Sasaki
Illumination (Installation), 2003
branches, string, rice paper, glue, varnish, lighting hardware, 26 x 28 x 30 inches
Aki Sasamoto
D-Washroom, Hex-Washroom, 2016
wood, ceramic tiles, cement board, aluminum edges, vent, rope, double pulley, carabiner, headlamp, copper pipe, cooking utensils, magnets, 90 x 60 x 36 in.
Aki Sasamoto
Showbox Wall Sconce (Rachel Comey), 2016
showbox lid, backboard of a used laundry machine, wall sconce, wood, LED light box, push button switch, 37 1/2 x 27 x 6 in.
Aki Sasamoto
Washboard Belt - Maidrite, 2016
washboard, leather, metal chain, cooking utensils, 13 x 36 x 4 in.
Aki Sasamoto
Talking in Circles in Talking, 2013
stainless steel mixing bowl, ice picks, handmade contact microphones, sound mixer, gaff tape, zip tie, plastic stoppers, shoelaces, small found objects, ice blocks and melting sound file, 4 x 4 x 8 feet
Christopher Saucedo
New Orleans, 2010
oyster shells, wood, glass and bronze, 120 x 120 x 82 in.
Christopher Saucedo
That's Life, 2009
bronze and ink-jet prints on sheer fabric, 32 x 15 x 3 in.
Randall Schmit
Arrival and Departure, 2013
oil, acrylic, household gloss and marker on canvas, 54 x 40 in.
Randall Schmit
Port of Call, 2013
oil, acrylic, household gloss and marker on canvas, 57 x 40 in.
Charlotte Schulz
An insufficiency in our screens: our hurt sang back to mlk when the incompossible appeared., 2005
charcoal on paper, 29 x 80 x 4 in.
Alex Schweder
Wall to Wall Floor to Ceiling, 2014
fan blown vinyl and faux fur, 40 x 120 x 9 feet
Alex Schweder
Wall to Wall Floor to Ceiling, 2014
fan blown vinyl and faux fur, 40 x 120 x 9 feet
Dread Scott
Vendome Column, Toppled, 1871, 2011
acrylic and xerox transfer on canvas, 32 1/4 x 44 1/4 in.
Dread Scott
Big Character, Peking University, 1967, 2010
acrylic and xerox transfer on canvas, 33 x 41 in.
Charles Searles
Double Dutch, 2000
painted wood, 71 x 52 1/2 x 9 1/2 inches
Courtesy: June Kelly Gallery Photo Credit: Manu Sassoonian
Nathan See
Palindrome Sculpture, 2001
pine, foamboard insulation, paint, 88 x 24 x 4 inches
Analia Segal
Wallpaper 01.01.04
pencil on 4ply museum board, dimensions variable; panels: 13 x 32 inches each
drawing installation at Plus Ultra Gallery
Analia Segal
Wallpaper 01.01.04
pencil on 4ply museum board, dimensions variable; panels: 13 x 32 inches each
drawing installation at Plus Ultra Gallery
Jessica Segall
Solar System II, 2015
Solar panel, inverter, battery, grow light, potato, 6 feet x 4 feet x 3 feet
Jessica Segall
Paradise Begins With a Shipwreck, 2014
Wooden boat, projector, screen, 16 feet x 12 feet x 12 inches
Jessica Segall
The Hardship, 2013
Copper, freezer compressor, refrigerators, video, audio, 5 x 2 x 4 in.
Jessica Segall
A Selfless, Reteaching Jet, 2010
Engine, inverter, downdraft gasifier, car battery, 16 mm projector, Dimensions variable
Rachel Selekman
Fresh Purse, 2005
pocketbook frame, fabric, thread, chain, flowers and mixed media, 55 x 45 x 50 in.
Rachel Selekman
Red Velvet Glow, 2005
pocketbook frame, velvet leaves, flowers, chain, fabric, thread and mixed media, 25 x 17 1/2 x 16 in.
Rachel Selekman
Untitled (Bear), 1996
pocketbook, frame, fabric, thread, chair, 80 x 40 x 10 inches
Philip Sherrod
Walking Sign, Adidas, Pro Keds!, 1987
oil on canvas, 21 3/4 x 34 3/4 inches
Alan Shields
Internal Affairs Around the Box, 2003
watercolor on cotton pulp dipped galvanized steel wire, stainless steel wire, brass wire and Dacron fishing line with glass beads, 24 x 24 x 24 in.
Photo: Gary Mamay
Alan Shields
Passion Flower Bell, 1975 - 1979
acrylic, thread, canvas, wood, 18 1/2 x 21 x 21 inches
Jean Shin
Chance City, 2001-2004
21,496.00 in discarded lottery tickets, dimensions variable
Alyson Shotz
Mirror Fence, 2003
acrylic and stainless steel hardware, 36 x 1680 x 8 inches
Alyson Shotz
Swarm, 1997 - 1998
form-a-film, surgical tubing, steel wire, 108 x 24 x 24 inches
Diana Shpungin
Don't Let the Light In 1 (Gray), 2015/2016
casting cotton paper pulp, graphite, linen and abaca paper, 36 x 46 x 1 in.
Diana Shpungin
Don't Let the Light In 1 (Stained), 2015/2016
casting cotton paper pulp, graphite, linen and abaca paper, 36 x 46 x 1 in.
Diana Shpungin
Drawing of a House (triptych), 2015/2016
abandoned house, hand-applied graphite pencil, life size two-story two thousand square foot home
Diana Shpungin
Drawing of a House (triptych), detail, 2015/2016
abandoned house, hand-applied graphite pencil, life size two-story two thousand square foot home
Katrin Sigurdardottir
(in foreground) Unbuilt 8 - Carl Olsen Residence, Túngata 14, Reykjavik - Architect: Einar Erlendsson, 1929, 2015
basswood, birch micro plywood, 34 1/4 x 33 5/8 x 27 in.
Katrin Sigurdardottir
Foundation, 2013
concrete tiles, styrofoam substrate, wooden platform, 387 x 537 x 32 in.
Katrin Sigurdardottir
Boiserie (Hotel de Cabris), 2010
painted MDF, mirrors, steel, dimensions variable
Katrin Sigurdardottir
Boiserie (Hotel de Crillon), 2010
wooden panels, mirrors, electric lights, reproduced period furniture, fixtures and objects in wood, resin, plaster, fabric, and foam, 150 x 152 x 96 in.
David Slater
The Ghost in My Backyard, 2014
acrylic and mixed meda on canvas, 37 1/2 x 62 in.
Syvia Sleigh
Invitation to a Voyage: The Hudson River at Fishkill, 1985
oil on canvas, 6 panels: 96 x 60 inches each
Alexandria Smith
The Uncertainty of it All, 2014
acrylic and glitter on panel, 24 x 24 in.
Alexandria Smith
Portrait of a Night Woman, 2013
acrylic, glitter acrylic polymer on panel, 36 x 36 in.
Alexandria Smith
Procession to the Rooting Place, 2013
acrylic and glitter on panel, 48 x 48 in.
Alvin Smith
For Langston Hughes, 1988
oil on canvas, 62 x 20 in.
Collection- The University of Iowa
Paul Smith
Fence - Bridge, 1984
oil on canvas on masonite construction, 60 x 60 x 60 inches
Takashi Soga
The Sea of the Ear - Rings '05, 2005
painted steel, lead, 60 x 160 x 220 in.
Takashi Soga
The Sea of the Ear - Rings '03, 2003 - 2005
bronze, lead, stone, 36 x 80 x 75 in.
Takashi Soga
Gravity DefiedThe Sea of the Ear, 2001
bronz, steel, lead, 47 x 189 x 22 inches
Takashi Soga
Gravity DefiedThe Sea of the Ear, 1993
tinplate, steel, 36 x 216 x 216 inches
Beth Solin
Bodyjoists/ Spinetracks- Forced Perspective, 2001
paper, gesso, ink and graphite, 36 x 54 in.
drawing for installation
Beth Solin
Bodyjoists/ Spinetracks- Forced Perspective, 2001
burnt wood, steel, screws, woodglue, plexi-glass, daylight, 108 x 72 x 84 in.
model for installation
Michael Solomon
Falling Harlequin, 2010
watercolor on rice paper infused with resin, 10 x 10 in.
Michael Solomon
Folded Harlequin, 2010
watercolor on rice paper infused with resin, 5 x 7 in.
Jane South
Untitled (Red Square), 2006
hand-cut and folded paper, ink, acrylic, balsa, 63 x 73 x 12 inches
Jane South
Untitled (Irregular Rectangle), 2005
hand-cut and folded paper, ink, acrylic, balsa, 42 x 59 x 10 inches
Jane South
Untitled (yellow circle), 2004
ink and acrylic on cut and folded paper with balsa, 60 x 10 in.
Brian St. Cyr
Lacquer? ah Lacquer! #1, 2008
wire, japanese paper in embedded space, 18 x 26 x 3 in.
Brian St. Cyr
Lacquer? ah Lacquer! #2, 2008
wire, japanese paper in embedded space, 18 x 26 x 3 in.
Tony Stanzione
Utica Steam Machine, 1999
wood, glass, stove, hardware, 120 x 48 x 48 in.
Tony Stanzione
Rock Piggybank, 1992
rock, paper cup, metal, change, 10 x 4 1/2 x 5 inches
Janis Stemmermann
Vendure 7, 2013
paper, ink, 18 x 17 inches - image; 24 x 23 inches - paper
Janis Stemmermann
Verdure 15, 2013
paper, ink, 18 x 17 inches - image; 24 x 23 inches - paper
Janis Stemmermann
Tall Horn with Words From Jeanette Winterson's "The Passion", 1992
wood, tempera, 90 in.
Janis Stemmermann
Door, 1991
19th Century wooden door, pigmented beeswax, 77 1/2 x 29 1/2 in.
Oona Stern
Model for Dreamy, 2003 - 2004
live and synthetic hedge, wood, foam insulation, 36 x 54 x 18 in.
(proposal for the Toronto Sculpture Garden)
Oona Stern
Stone Curtain Wall, 1998
cast gypsum, steel cable, hardware, 150 x 156 x 72 inches
Oona Stern
Pavers (wall and floor), 1997
sheetrock, screws, latex paint, 90 x 72 x 44 inches
detail
Melinda Stickney-Gibson
....yep...., 2017
oil on steel panel with steel brackets, 12 x 12 in.
Melinda Stickney-Gibson
Faith, 2017
mixed media on steel panel on steel ledge, 31 x 36 x 1 1/2 in.
Melinda Stickney-Gibson
Losing Larsen C, 2017
oil on linen with steel rods and brackets, 84 x 72 in.
Melinda Stickney-Gibson
Stories, 2017
mixed media on lead panels on steel ledge, 72 x 12 x 1 1/2 in.
Jessica Marie Stoller
Untitled (weave), 2015
porcelain, glaze, china paint, lustre, 12 x 6 x 7 in.
Jessica Marie Stoller
Untitled (epergne), 2014
porcelain, glaze, china paint, 9 1/2 x 7 1/2 x 7 1/2 in.
Jessica Marie Stoller
Untitled (balance), 2013
porcelain, glaze, china paint, lustre, 12 x 11 1/2 x 6 1/2 in.
Jessica Marie Stoller
Untitled (frosted bust), 2012
porcelain, glaze, china paint, lustre, 10 1/2 x 8 x 6 1/2 in.
Anna Strickland
Kiva, 1990
mixed media, hand colored photo, wood and tree parts, 12 x 90 x 100 inches
Marc Swanson
Once and Again, 2016
wood, fabric, plaster, paint, polyurethane foam, 78 x 57 x 10 in.
Marc Swanson
Bridge Street, 2015
wood, fabric, plaster, paint, plastic chain, metal fittings, 132 1/2 x 43 x 52 in.
Marc Swanson
Chambre (detail) (installation view), 2014
wood, fabric, plaster, paint, lightbulbs, dimensions variable
Marc Swanson
Untitled (double buck with antlers), 2013
crystals, polyurethane foam, adhesive, elk and deer antlers, 60 x 38 x 25 in.
Mika Tajima
Furniture Art (Barcelona), 2011
spray enamel, moded plexiglass, 16 x 20 x 1 1/2 in.
Mika Tajima
The Double, 2008
acrylic paint, water-based silkscreen, gold leaf, wood, caster wheels, paper, 48 x 72 x 36 in.
Maki Taniguchi
Chair 1, Chair 2, 1998
stainless steel, Chair 1 (front) - 66 x 56 x 50 inches; Chair 2 (back) - 43 1/4 x 43 1/4 x 132 inches
Christopher Tanner
Hand in the Pool of Maria Montez, 2006
mixed media collage, 92 x 92 in.
Naho Taruishi
Hiroshima Dome, 2014
graphite and colored pencil on Gampi paper over Magnani paper, 10 x 8 7/8 in.
Naho Taruishi
House of Galileo Galilei, 2014
graphite and colored pencil on Gampi paper, 14 1/2 x 12 in.
Naho Taruishi
Louis Aime Augustin Le Prince II, 2014
white graphite on Yatsuo paper, 34 1/2 x 22 in.
Naho Taruishi
Woman in the Dunes, 2014
graphite and charcoal on Magnani paper, 13 1/2 x 9 in.
Paulette Tavormina
Figs and Apricots, After L.M., 2014
archival digital pigment print, 36 x 36 in.
Paulette Tavormina
Peonies and Wisteria, 2014
archival digital pigment print, 36 x 36 in.
Paulette Tavormina
Flowers, Fish & Fantasies III, 2013
archival digital pigment print, 24 x 24 in.
Paulette Tavormina
Lemons and Pomegranates, After J.V.H., 2010
archival digital pigment print, 20 x 30 in.
Anita Thacher
Piscamento (Blinks 2), 2008
monoprint, rives paper, 22 x 30 inches
(20 in series plus 2 APs) VanDeb Editions, Summer Show, 2009
Gene Thompson
Paradox, 1987
mylar inflated with helium, 10 elements- 40 x 5'64' feet apart on 800' line
Mary Ting
Elegy for Creatures Great and Small, 1990
mixed media installation, 96 x 96 inches
Christian Tomaszewski
Untitled (HOPE), 2002
installation, revolving door and sign, two pianos, two pianists, four microphones, amplifier, cd
Skupturenmuseum Marl, Germany
Christian Tomaszewski
Writing a Crime, 2001
sculpture: 2 channel video inside the coach, painted wood, plexi mirrors, silver vinyl, 2 horses
IMMA, Dublin
Goran Tomcic
Danse Macabre, 2006
collage (stikres on holographic paper), 8 1/2 x 11 inches
Goran Tomcic
A Shimmering Heart, 2005
silver holographic paper, heart-shaped sequins, 180 x 180 x 180 inches
Goran Tomcic
A Shimmering Heart, 2005
silver holographic paper, heart-shaped sequins, 180 x 180 x 180 inches
Goran Tomcic
A Shimmering Heart (Silver), 2005
silver holographic paper, heart-shaped sequins, wall180 x 180 x 180 inchesfloor250 sqf
installation
John Toth
Convergence, 1998 - 2001
synthetic fabric, stainless steel cable, 120 x 360 x 360 inches
John Toth
Working in Brooklyn: Installations, 1990
plexiglass, acrylic on canvas, Sculpture: 16 x 12 x 10'4-paintings: 16 x 1'
Lee Tribe
First Born, 1999 - 2001
steel welded, burnished, with medium patina, 16 1/2 x 18 x 14 1/2 in.
Daniel Turner
EMP Kitchen, kitchen of Eleven Madison Park cast into solid form, 2017
stainless steel, 65 x 3 1/2 x 2 1/2 in.
Daniel Turner
Waiting Room, waiting room cast into solid form, 2017
cast steel, aluminum alloy, fiber, 21 x 3 x 2 1/2 in.
Daniel Turner
Particle Processed Cafeteria, dissolved cafeteria, 2016
steel, aluminum, fiber, 42 x 120 feet
Daniel Turner
Particle Processed Cafeteria, dissolved cafeteria (detail), 2016
steel, aluminum, fiber, 42 x 120 feet
Katharine Umsted
Life Raft for One, 2016
plaster bandages, newspaper, glue, bubble wrap acrylic, 37 x 26 x 7 1/2 in.
Katharine Umsted
Life Raft with Blue Rim, 2016
plaster bandages, newspaper, glue, pool noodle, acrylic, tea and coffee, 35 x 31 x 8 in.
Katharine Umsted
Life Raft with Chop, 2016
plaster bandages, newspaper, glue, acrylic, 28 x 15 x 8 in.
Katharine Umsted
Life Raft with Red Tide, 2016
plaster bandages, newspaper, glue, pool noodle, acrylic, 35 x 28 x 11 in.
Dolly Unithan
Doves 1, 1999
life-like three dimensional synthetic doves, Each dove is approximately 12 x 12 inches; 100 doves suspended on netting display, 30 x 5 feet
Dolly Unithan
Doves 1, 1995
acid free paper board, Each dove is approximately 10 x 10 inches; 2 pieces of 200 doves suspended on netting display, 30 x 5 feet, each
Dolly Unithan
Birdman, 1987
print on paper, canvas, twine, dye, wax, 188 x 48 x 30 inches
Juana Valdes
Breath Ease R and B, 2004
cast porcelain mask, silicone rubber, wood, 15 x 15 x 6 in.
Juana Valdes
Sweet Honetsy, 1997
latex, interior paint, silk screen, video, 144 x 192 x 120 inches
Juana Valdes
Otra Vec Al Mar, 1994
dress, fishing net, light, lead weights, audio, 144 x 72 x 72 inches
Teressa Valla
Flirting with Happiness, 2005
catalpa pods, cotton, pumice, pigment, 36 x 18 x 12 in.
Teressa Valla
Purple Heart, 2005
catalpa pods, pumice, alkid, cotton, 36 x 20 x 15 inches
Teressa Valla
Timeless Time II, 2005
catalpa pods, pumice, alkyd, cotton, bamboo, 50 x 24 x 3 inches
John Van Alstine
SPUN (Complications from a Fall), 2003
granite, steel, 108 x 132 x 72 in.
Hans Van Meeuwen
Giraffe, 2013
polystyrene, tile-adhesive, plaster cast, wood, painted, 72 x 36 x 48 in.
Hans Van Meeuwen
Autumns, 2012
fiberglas, copper pipe, painted, each approximately 48 x 72 x 48 inches
Annie Varnot
Perelandra, 2006
plastic drinking straws, pompoms, Pearler Beads, colored wire, illuminated pedestal, 23 x 20 x 5 1/2 in.
Annie Varnot
Varian Sea, 2006
plastic drinking straws, sushi grass, Pearler Beads, color coated wire, silica disks, pompoms, Styrofoam balls, Q-tips, plastic containers, water, 50 x 17 x 18 in.
Mark Dean Veca
Boogey Fervor (detail), 2000
acrylic and oil with bean bags, 156 x 252 x 600 inches
Marlene Vine
There Comes a Time 0905, 2009
pen and liquid acrylic on paper, 16 1/8 x 13 in.
Anthony Viti
I and R No. 40, 2003
human blood, urine, pigment and varnish on canvas, 63 1/2 x 102 inches
Anthony Viti
I and R No. 46, 2003
human blood, urine, pigment and varnish on canvas, 33 x 30 inches
Robert Walden, Jr.
Untitled: Folded Landscape, 2002
excised road map on wall, 10 x 18 x 3 inches
Robert Walden, Jr.
Untitled: Folded Landscape (Detail), 2002
excised road map on wall, 10 x 18 x 3 inches
Corban Walker
Cubed, Drawn and Halved, 2013
acrylic, screw posts, 25 3/8 x 25 3/8 x 25 3/8 in.
Corban Walker
Please Adjust, 2011
176 stainless steel frames, 180 x 180 x 180 cm; each installation dimensions variable
Will Walker
3 Orbits (Phobos)
cardboard, elmer's glue, paper, wood, 144 x 55 x 60 inches
Will Walker
Star Quay (Invisible Things)
cardboard boxes, air-cooled lighting system, plastic drinkin..., 96 x 144 x 108 inches
Lucia Warck Meister
Haute Chose, 2008
flexible tubing, glass, sound, site specific installation
Lucia Warck Meister
Nupcias con Fantasmas, 2008
flexible tubing, site specific installation
Shelley Ward and Alex Schweder
In Orbit (photo credit Double Cyclops), 2014
wood, steel, household items, 25 x 25 x 4 feet
Shelley Ward and Alex Schweder
In Orbit (photo credit Double Cyclops), 2014
wood, steel, household items, 25 x 25 x4 feet
Claire Watson
Hosts, 2005
altered leather gloves, sawdust, wood, wire, Each approximately- 8 x 6 x 3 inches
Claire Watson
As It Were, 2003
altered leather glove, sawdust, wood, wire, 4 x 12 x 3 in.
Claire Watson
Ceci N'est Pas Ceci N'est Pas, 1991
wood, paint,shallac, pipe, 8 x 7 x 2 inches
Michael Waugh
The Commission for a National Agenda for the Eighties, 2008
ink on mylar, 100 x 126 inches3 panels, 42 inches each
Michael Waugh
The Social Security Commission, Part. I, 2008
ink on mylar, 42 x 82 inches
June Wayne
Am, 1989
acrylic, styrene, lithograph collage on mohagany panel, 30 x 30 x 2 inches
Frank Webster
The Guard-Towers(Long Island Shopping Center), 2001
acrylic on canvas, 40 x 80 inches
Michelle Weinberg
Projections 01, 2023
gouache, colored pencil, crayon, pastel on paper, 42 x 31 in.
Michelle Weinberg
Seeing Double Again, 2023
graphite, colored pencil, crayon on paper, 22 x 16 in.
Amy Weiskopf
Still Life with Tomatoes, Green Apples and Leek, 2010
oil on linen, 13 3/4 x 17 3/4 in.
Marjorie Welish
Before After Oaths: Gray 2, 2013
acrylic on panel, diptych: 20 x 32 1/4 inches
Marjorie Welish
Before After Oaths: Gray 8, 2013
acrylic on panel, diptych: 18 x 28 1/4 inches
Marjorie Welish
Before After Oaths 1, 2012
acrylic on panel, diptych: 20 x 32 1/4 inches
Marjorie Welish
Before After Oaths 6, 2012
acrylic on panel, diptych: 20 x 32 1/4 inches
Rebecca Welz
Arcs and Orbs, 2004
plexiglass, wire, cable, paint, varnish, 240 x 240 x 240 in.
Installation at Gallery 555, off-site location, Oakland Museum, Oakland, CA
Rebecca Welz
Wishing Poles, 2004
plexiglass, wire, cable, paint, varnish, 240 x 240 x 240 in.
Installation at Gallery 555, off-site location, Oakland Museum, Oakland, CA
Bradley Wester
Shirakawa, 2008
chopsticks, sushi grass, cardboard tubes, bamboo, paper-thin wood, plastic bottles, water, digital print, paint, led lamp, size variable
drawing/ sculpture installation
Bradley Wester
Untitled, 2007
labels, stickers on paper, on styrofoam pedestal within solo exhibition installation, size variable
drawing/ sculpture installation
Deborah Whitman
A Door Partly Open - An Object that Contains Infinity for a Moment, 1990
wood, blue lacquer, 84 x 30 x 9 in.
John Willenbecher
The Pursuit; The Meeting; The Lover Crowned; Love Letters, 1987
acrylic on masonite, 34 x 41 inches
Jennifer Williams
New York: City of Tomorrow - Brooklyn, Downtown Brooklyn (installed in the Panorama of the City of New York at the Queens Museum), 2016
pigment ink on Photo-Tex, 15 x 8 feet
Jennifer Williams
New York: City of Tomorrow - Brooklyn, Downtown Brooklyn (installed in the Panorama of the City of New York at the Queens Museum), 2016
pigment ink on Photo-Tex, 15 x 8 feet
Jennifer Williams
New York: City of Tomorrow - Manhattan Billionaire's Row (installed in the Panorama of the City of New York at the Queens Museum), 2016
pigment ink on Photo-Tex, 20 x 25 feet
Jennifer Williams
New York: City of Tomorrow - Manhattan Billionaire's Row (installed in the Panorama of the City of New York at the Queens Museum), 2016
pigment ink on Photo-Tex, 20 x 25 feet
Frank Wimberley
In Wind, Sea and Sand, 1996
acrylic with collage on canvas, 46 x 48 inches
Katerina Wong
...like clouds, 2004
wax casts of fingerprints, sumi ink, powdered graphite on painted wall, 144 x 144 x 120 in.
site-specific installation at the Kentler International Drawing Center, Brooklyn, NY, View of wax casts and shadows
Katerina Wong
...like clouds, 2004
wax casts of fingerprints, sumi ink, powdered graphite on painted wall, 144 x 144 x 120 in.
site-specific installation at the Kentler International Drawing Center, Brooklyn, NY, View of wax casts and shadows
Suhee Wooh
Getting Lost inNorwegian Wood Drawings 1, 2011
oil and acrylic on canvas, 30 x 40 in.
B Wurtz
Untitled, 2010
wood, wire, hook and eye, plastic bag fasteners, plastic bags, nails, 48 x 22 x 30 in.
B Wurtz
Untitled, 2010
wood, wire, plastic light switch plate, screws, plastic wire caps, 34 1/2 x 23 x 15 in.
Nina Yankowitz
Breaking Glass House, 2004
lenticular panels and metal frame, 76 x 100 x 84 in.
Nina Yankowitz
Shedding Ice House, 2004
freezing elements, glass and metal frame, 76 x 100 x 84 in.
Tamara Zahaykevich
Member's Sampler, 2007
paper, styrofoam, paint, glue, 14 1/4 x 13 x 7 1/2 in.
Tamara Zahaykevich
Cousin Once Removed, 2004
foam core, spray paint, glue, 7 1/2 x 12 1/4 x 5 inches
Tamara Zahaykevich
Cow's Clouds, Portuguese Restaurants, The Number 9, 2004
foam core, spray paint, glue, 16 x 9 x 6 3/4 inches
Hongtu Zhang
Self Portrait in the Style of the Old Masters, 2004
oil on wood panel, 38 1/4 x 29 1/8 in.
Hongtu Zhang
B-2, 1990
mixed media, acrylic, burlap on wood and canvas, 68 x 95 1/2 inches
Jian-Jun Zhang
Mountain, River, 2003
silicone rubber, sumi ink on rice paper
Mountain (Jade White and Midnight Blue), 48 x 27.5 x 41 inches each. Cast silicone rubber from a Scholar's Rock. The traditional cultural form transformed into a contemporary industrial material. River, 27 x 27 inches, 36 panels total. Each panel has the word "water" written in one of 36 languages. When the panels are mounted together they become a flowing river.
Jian-Jun Zhang
Sumi-Ink Garden of Re-Creation, 2002
sumi-ink, old bricks, wood, water, fish, pump system, size variable
Tatyana Zhurkov
Sun Goddess, 2000
mixed media, plastic bolls, flexible bracelets, yellow plastic scissors, 18 x 11 x 6 inches
Tatyana Zhurkov
Flying Dutchman (Detail), 1999
mixed media, porcelain, plastic birds and fish, venetian glass, 26 x 10 1/2 x 9 inches
Brenda Zlamany
Portrait No 38 (Topless Chuck), 2000
oil on panel and linen, 36 x 24 inches
Michael Zwack
History of the World, 1996
oil and raw pigment on linen, 23 1/2 x 35 inches
Michael Zwack
History of the World, 1995
raw pigment and oil on linen on board, 35 1/2 x 52 3/4 inches